Still Lives

The Photography of Jon Rendell

Still life photography is the practice of photographing inanimate objects that are deliberately arranged by the photographer. Nothing happens by accident. Every object, its position, the lighting, and the framing are chosen in advance. The genre is about control and intention rather than spontaneity.
 
Typical still life subjects include everyday objects, food, flowers, tools, and found materials. On the surface these objects may seem ordinary, but strong still life work uses them to suggest ideas such as time, decay, memory, desire, or order. The objects are rarely the point by themselves; what they imply is.
 
Lighting is critical. Side lighting and soft directional light are commonly used to reveal texture, volume, and surface detail. Flat or careless lighting is the fastest way to make a still life look dull or amateur. Backgrounds and surfaces should support the subject quietly, not compete with it.
 
The value of still life photography lies in its slowness. It forces careful looking and disciplined composition, making it an excellent training ground for photographers interested in architecture, conceptual work, or fine art practice.

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Vase

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Untitled (solarisation)

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Tortoiseshell Specs

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Kava Bowl (solarisation)

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Untitled

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Bowl

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Scholar’s Rock with Globe

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Iris

 

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Jon Rendell was born into an auteur/photog family in Melbourne, Australia, in 1957 and grew up around cameras and film. He honed his craft under renowned photographer Athol Shmith at what is now Swinburne University (Prahran Campus, Melbourne). He was always captivated by shadows and finds himself hard -wired to focusing on the transitory, abstract shapes that come and go with the available light. For more of his photography in Scene4, check the Archives.

©2026 Jon Rendell
©2026 Publication Scene4 Magazine

 

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February 2026

 

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