The New Yorker Turned 100 (Part 2)

Altenir Silva

Previously JC was in an unfamiliar room, with a strange man staring at him. So many things rushed through his mind. He didn’t speak; he only thought something like: “Where am I? What the fuck is this place?”

“What the hell happened?” he asked the strange man, who replied, “I don’t know. You were searching through our files when I found you lying here.” Very concerned, JC went on, “What? Where’s Brenda? Where’s the naked girl?” To which the stranger said, “I don’t know, detective.” The word detective caused even more damage to his mind, and JC no longer understood
anything.”

“Detective?” JC murmured, then asked, “Where am I?” At that point the strange man was like, “Really?” but soon decided to begin explaining, “You were in The New Yorker building because you were hired to find out who stole Mr. Ross’s pen.” JC didn’t understand anything and asked the strange man who Mr. Ross was.

Slightly annoyed, the strange man went on, “Harold Ross, the editor of The New Yorker. He received, as a birthday gift, a pen with his name engraved on it. It was a Parker Duofold, the ‘Big Red,’ from Mr. Chaplin…” But before he could be interrupted again, the strange man pressed on: “The movie star Charlie Chaplin. The problem is that the pen disappeared from Mr. Ross’s desk, which means someone stole the precious item. You know, an editor without a pen is like an actor without a role. We need to find Mr. Ross’s pen before everyone goes crazy.”

JC murmured to himself, “It’s all senseless!” At this moment, a tall and handsome man approached them and spoke directly to the man who was talking with JC. “Carl, has my chocolate box already arrived?” The man replied, “Yes, Mr. Dahl. Truman Capote, the new copyboy, took it to the Checked Room.” The tall man left. Carl looked at JC and explained who that man was: “Roald Dahl, he’s crazy for chocolates,” and went on, “but as I was saying to you, they hired you to crack the case. And when you got here, you first wanted to look into our archives to understand what The New Yorker is. So you came here, started reading the files, and I took the opportunity to go to the bathroom. When I came back, I found you lying down.”

Then JC began saying that there must have been some mistake. “I’m a Frenchman. I came to New York to pursue an acting career, something off-Broadway. I’m not a detective…”

Suddenly, another guy with gray hair and thick, heavy glasses approached them as well and asked, “JC, have you found out anything?” JC looked at the man and, utterly surprised, shouted, “James Thurber? What the hell is happening here? How do you know my name?” James Thurber replied calmly, “I hired you. You were recommended by Mrs. Christie.” JC, stunned—and afraid to ask, but unable to stop himself—went on: “Who’s Mrs. Christie? Agatha Christie?” Thurber nodded. “Yes. The queen of mysteries. She said you’re as great as Hercule Poirot.”

At that moment, JC, completely amazed, stood up and ran out of there. As it happened, in the corridor, he ran into the young Roger Angell, who, like the Cheshire Cat from Alice in Wonderland, began saying things to him, such as, “Listen to it! Evil Live! Read it backwards. What an incredible palindrome! What do you think?”

JC was very confused. “Who are you?” Roger responded, “Roger Angell.” JC was very excited. “Are you the son of Katharine White?” To which Roger replied, “Yes. She’s my mom.” JC went on, “Oh my God! She was the magazine’s first fiction editor at The New Yorker…” Roger said, “Of course. What’s the matter with that?” JC looked at him and, completely speechless, decided to open another door to see what hell he would meet.

JC entered the room and froze. “Wow! Oh my God!”

Lillian Ross was seated in a chair in front of Ernest Hemingway and John Huston. JC thought he was inside a Woody Allen movie—more precisely, Midnight in Paris—but he didn’t have much time to think because Lillian asked, “Are you the French detective?” John Huston added, “Of course he is! We found our man!” Lillian said to JC, “We’ve already dealt with Mr. Ross. You will be going with us to Paris.” Ernest Hemingway stood up, put his hand on JC’s shoulder, and said, “I never got a no in my entire life.” JC, feeling like an outfielder who had dropped an easy ball, stared ahead, petrified, and could only think, “I get it—this is a nightmare. If I didn’t die, I must have fallen into the multiverse.”

TO BE CONTINUED.

 

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Altenir Jose Silva is a Brazilian playwright and screenwriter working in mass media and communications, including Cinema, Theater, Television and the Web. His texts and scripts - both fiction and reality-based - have been presented , produced and performed in the US, the UK, and Brazil. He is a Senior Writer for Scene4.
For more of his writings check the Archives.

©2026 Altenir Silva
©2026 Publication Scene4 Magazine

 

 

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