www.scene4.com

Foul Ball - An American Soap Opera

Altenir Silva

FOUL BALL - AN AMERICAN SOAP OPERA

 

Chapter Two.

 

The lights come up in a hospital room. NATALIE (25/30), a beautiful girl is lying on the bed. HALL stands by her side. She's weak and pale because of her illness.

 

NATALIE

Hall... I wanna... I wanna... Thanks for coming.

 

HALL

It's always good to see you.

 

NATALIE

This means a lot to me. I know you're quite busy on TV.

 

HALL

Yeah, but for you.

 

NATALIE

I'm very happy. Thank you.

 

HALL

It was the least I could do for you, Nat.

 

(A moment.)

 

NATALIE

What're you doing?

 

HALL

The same thing. I've been writing soap operas since... you know…

 

NATALIE

(Fondly.)

Are you still searching for the perfect game? I mean, the perfect drama?

 

HALL

It's always been my gas.

 

NATALIE

Something new?

 

HALL

Yeah! I'm working on a script about our country. Kinda, we lost our innocence after the Vietnam War.

 

NATALIE

Vietnam War in a soap opera?

 

HALL

Yes! It will be as background. And by the way, it's time for a new American age.

 

NATALIE

We've been through so many wars after that.

 

HALL

I know, these wars being broadcasting, the Vietnam War was the first draft, the others were just revisions.

 

NATALIE

Yeah! Maybe you're right.

 

HALL

But let's talk about you. What do you...?

 

NATALIE

(Uncomfortable.)

Talking about me? My disease? Do you really want this?

 

HALL

Sorry... I didn't mean that.

 

NATALIE

No problem. You're here... it's nice... very nice... As I said, I'm happy to see you again.

 

HALL

Yeah, yeah... It's been a long time.

 

NATALIE

How many years?

 

HALL

I don't know, three?

 

NATALIE

Three?

(Beat.)

Are you with someone?

 

HALL

No, no… after… after, you know, after our breakup… my heart-shop has been closed.

 

NATALIE

Wow! I'd like to believe.

 

HALL

Yeah...

 

NATALIE

Really?

 

HALL

Natalie, you know, I'm a lonely man.

 

NATALIE

I'm not sure, but if you are saying…

 

HALL

I swear to you; I haven't been in the dugout.

 

NATALIE

Alright. Look, do you remember when we met at...?

 

HALL

Yeah!… Of course. It was an art-house in the Village.

 

NATALIE

Exactly. We had watched an Ernest Lubitsch movie.

 

HALL

Ninotchka!

 

NATALIE

What? No way! It was... it was... Bluebeard's Eighth Wife.

 

HALL

I thought it was that movie with Greta Garbo.

 

NATALIE

Claudette Colbert and Gary Cooper.

 

HALL

Yeah, of course… I remember... we begun a debate over the movie.

 

NATALIE

I don't get that... just that I laughed a lot.

 

HALL

And your smile had marked my heart!

 

NATALIE

Wow! You're talking like one of your characters.

 

HALL

(Cocky.)

I know to use my whole pack of tricks. This is the business I've chosen.

 

NATALIE

I know. Hall, what did happen with... with... What was the name of that actress?

 

HALL

Who? From the movie?

 

NATALIE

No. I mean, the actress that... you know... you and her...

 

HALL

Hum?

 

NATALIE

That actress from your show. You two had an affair.

 

HALL

Natalie... please... I think it's not matter anymore.

 

NATALIE

Why?

 

HALL

We've already done this.

 

NATALIE

Did you forget her name?

 

HALL

I don't... I don't wanna talk about her...

 

NATALIE

Why?

 

HALL

Nat... Let's run another game, huh?

 

(Silence.)

 

NATALIE

Alright... sorry.

 

HALL

That's okay.

 

NATALIE

I'm an idiot.

 

HALL

Don't say that... you're okay... I think that-that… I don't want to go into all that crap.

 

(Silence.)

 

NATALIE

Hall... I-I-I'm... I'm...

(Beat. Sadly.)

I'm dying.

 

 

HALL

(Pause. Awkward.)

I-I... I don't know what to say...

 

NATALIE

Needn't... just hold my hand.

 

HALL

Of course.

 

(Hall holds her hand.)

 

NATALIE

Thank you.

(Pause. Trying to cheer up.)

Tell me good things.

 

HALL

Like what?

 

NATALIE

I don't know, your work, your life, whatever.

 

HALL

I think not. Let's talk about something else.

 

NATALIE

Well… How about us?

 

HALL

Why not? Do you remember our second date? Maybe it was our third, I don't know, but I remember we got pizza.

 

NATALIE

Yeah! We kissed… it tasted like cheese.

 

HALL

Mozzarella.

 

NATALIE

Wow!

 

HALL

Unbelievable.

 

NATALIE

I think my kiss now tastes... medicine.

 

HALL

Never.

 

(A moment.)

 

NATALIE

Are you interested?

 

HALL

What're you talking about?

 

NATALIE

Trust me. It won't be disgusting.

 

HALL

(Awkward.)

Nat? Please?

 

NATALIE

I'm dying, Hall.

 

(Silence.)

 

NATALIE

Where's your good heart?

 

HALL

Nat, Nat, it's completely meaningless.

 

NATALIE

Are you seeing someone?

 

HALL

No. Of course not.

 

NATALIE

So?... What's the matter? Because I'm sick? You know, it isn't contagious.

 

HALL

Jeez! Please, stop it.

 

NATALIE

So, kiss me.

 

HALL

What sort of nonsense is this?

 

NATALIE

Do you repulse me?

 

HALL

What? Look, don't say that again. You don't know what that does to me.

 

NATALIE

Please, so give me that.

 

(Another silence.)

 

NATALIE

I'm waiting.

 

(A moment.)

 

HALL

Alright. If it will be important for you…

 

NATALIE

Take me to the moon like you do with your soap-operas-characters.

 

(Hall a bit nervous bends down and kisses her. Then...)

 

NATALIE

Margot!

 

HALL

What?

 

NATALIE

I remembered the actress name. Margot. Isn't it?

 

HALL

I don't know.

 

NATALIE

What's the problem?

 

HALL

There's no problem. I just don't want to talk about that.

 

NATALIE

Why?

 

HALL

Forget this woman.  

 

(Beat.)

 

Let's change this, what about our kiss, huh?

 

NATALIE

Margot and you...

 

HALL

For your information, your kiss remains tasty and hot. It doesn't seem like medicine.

 

NATALIE

I-I-I just wanna know about you and Margot. Tell me about her. I need to know more about you two. Please say everything because it's driving me insane.

 

HALL

Nat, please, don't…

 

NATALIE

Hall, I beg you.

 

(A Moment.)

 

HALL

Nat... Margot was Lomar's girlfriend. Do you remember? He was that ballplayer from Miami. Never happened.

 

NATALIE

She told me about you two.

 

HALL

What?

 

NATALIE

Yeah... She said that you two had sex.

 

HALL

What hell is that? She talked to you?

 

NATALIE

Yes.

 

HALL

When?

 

NATALIE

She told me everything recently.

 

HALL

Why? Why she did that?

 

NATALIE

I don't know. She came here and told me…

 

HALL

Why did she bring all this shit?

 

NATALIE

I don't know…

 

(Sarcastic.)

 

Perhaps, she wanted to put it onto the bed, literally. 

 

HALL

Nat... Forget this crap.

 

NATALIE

Hall, I need to know... It's important to me... I need to know all of these things coming from you.

  

HALL

I already said. Nothing happened between us... I swear to you.

 

NATALIE

Hall... I'm a sick woman... I'm dying... I deserve to get all truth.

 

(Pause.)

 

NATALIE

I need your sincerity. For the last time... I beg you... tell me everything.

 

(A long silence.)

 

HALL

Alright... alright... I'm going to tell you.

 

NATALIE

Thanks.

 

HALL

If it will be good to you, I'm okay. I think you deserve it.

 

(He sits beside her.)

 

NATALIE

Let's go. Scene one. Fade in. You and Margot.

 

HALL

She would do anything to get that role.

 

(MARGOT (25/30) a beautiful girl enters. She talks directly to Natalie as if they are the only two in the room. Margot doesn't see Hall, and he doesn't see her either. Natalie sees both Hall and Margot.)

 

MARGOT

(To Natalie.)

Never... I never would have slept with him. He forced me to do this.

 

HALL

(To Natalie.)

She was... a beautiful woman... she did everything to seduce me.

 

MARGOT

I really wanted that role. I was young, no money... I needed that job.

 

HALL

She came into my hotel room. She was dressed like a whore... I went to the bathroom, and when I've gone out of there. Well... Margot was wearing lingerie... I remember that she asked to look at her... then, she asked if she were perfect for the role... Oh boy!... I-I I was so tempted.

 

 

MARGOT

He asked me he would need to talk about the script. I went into his hotel... Then... he got out of the bathroom... naked... He asked to touch his penis... I said no way. He was like, your future is in your hands.

 

(Margot is leaving.)

 

MARGOT

Sorry... It wasn't my fault. Sorry!... Sorry!...

 

(Margot leaves.)

 

HALL

It was done... I admit, it was my weakness...

 

(Pause.)

 

NATALIE

She said something totally different from you.

 

HALL

Like what?

 

NATALIE

That doesn't matter anymore. Did you know? Did you know you ruined my life?

 

HALL

Nat... I'm so sorry...

 

NATALIE

I wish you to be happy in hell... if it's possible to be happy there.

 

HALL

I-I beg your pardon...

 

NATALIE

Never... never... you are... you are a shit guy! I wish you the worst days. Your life is going to be a torment!... The more you suffer, the more at peace I will be.

 

HALL

Nat, all that shit, you know, are things from the past that don't deserve to be remembered.

 

NATALIE

(Gasping for breath.)

I... I... I-I hate you!

(Yelling.)

Motherfucker!

 

(Natalie dies.)

 

HALL

(Nervously.)

Nat... Nat... What's going on?

 

(He checks her pulse and yells.)

 

HALL

Nurse!

 

(Blackout.)

 

(We keep hearing Hall's voice.)

 

HALL (OFF)

Nurse! Nurse! Help!

 

TO BE CONTINUED

 

The next chapter: The story of Martin.

Read Chapter One Here

 

Send Us Your
Comments On This Article

Share This Page

View other readers' comments in Letters to the Editor

 

Altenir Silva | Scene4 Magazine

Altenir Silva is a Brazilian playwright and screenwriter. In 2019, he won the Best Feature Screenplay at Prisma International Film Awards in Rome with The Sunrise Man (co-written with Ben Fiore, based on a story by director Werner Schumann). This screenplay was also nominated as a Top Finalist, 2017, Hollywood Hills Screenplay Awards, CA, US. In 2017 his short-play "Friendship" was published in "One Minute Plays: A Practical Guide to Tiny Theatre" (Routledge UK). In 2014 he received the Award of Excellence from Shakespeare at The Burg Theatre Festival (Middleburg, VA) for the play "The Idea". In Brazil, he worked as a scriptwriter for several TV shows at Globo TV, Record TV, CNT TV. He also wrote the feature films "Belarmino & Gabriela" (2007), "The Salt of the Earth" (2008), "Japan Connection" (2008), "Curitiba Zero Degrees" (2010) and "Moses and The Ten Commandments" (2015). For more of his writings in Scene4, check the Archives.

©2021 Altenir Silva
©2021 Publication Scene4 Magazine

 

 

 

www.scene4.com

June 2021

   Sections Cover · This Issue · inFocus · inView · inSight · Perspectives · Special Issues 
  Columns Adler · Alenier · Bettencourt · Jones · Luce · Marcott · Walsh · Letters 
  Information Masthead · Submissions · Prior Issues · Privacy · Terms · Books · Archives
  Connections Contact Us · Your Comments · Subscribe · Advertising · Your Support 

| Search Issue | Search Archives | Share Page |

Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine–International Magazine
of Arts and Culture. Copyright © 2000-2021 Aviar-Dka Ltd – Aviar Media Llc.

sciam-subs-221tf71
peta-banner-end-specisism-o1
calibre-ad1
Thai Airways at Scene4 Magazine