The Ocean and its Attendants/ Part One

Brian George

 wadsworth-the-offing-cr

Edward Wadsworth, The Offing II, 1942

 

To the oldest had been assigned the most complex of responsibilities. Stepping from our catacombs when the deluge had subsided, we had first to locate the spots where our power had been concentrated, and we then made use of the few tools that were left. There were fossils from the future. There were artifacts from a world that never did exist. We no longer remembered the whole of who or what we were; we only knew what we must do. However obscure the protocol, much depended on one's attention to the smallest of details. For want of a period, the whole of the Ur-Text could be lost.

It was we who had removed the seaweed from the statues that resembled us, inside of which were our "geniuses." The light pulsing from our dark companions was unbearable, and soon, we would learn to hate them once again. Their breathing was so slow as to be almost imperceptible. Like us, they breathed; unlike us, however, they breathed space instead of air. Their eyelids were no thicker than a zero. Our hands moving as by themselves, we then reinstalled the snails that they had used as earplugs and placed fresh coins on their eyes. There were rivers with strong currents to be crossed. There were scribal anomalies. There were whirlpools. There were topological mists. Beyond these, there were oceans with no shores. Some amount of foreign assistance was required; hence, the importance of the transport fee. Such was our tradition, yet we knew that there were ferrymen who would flatly refuse this medium of exchange.

We had done our best to prepare these statues for their voyage. For a time, we shared our breath with these delegates from the Pole Star, and they had offered to us, in our dreams at least, full access to their records. Even then, however, we could sense that the field of our vision had been compromised. All but imperceptible at first, we could see a black speck, growing. The light of the world's morning slipped from us as if we were contaminated. You would think we had done something wrong. What, exactly, might this be? Who among the small number of survivors had not done something worse, and what race had the standing to accuse us? If our shadows had stretched to several miles in length before they had detached themselves, this was odd , yes, but we had no reason to believe that this was more than a coincidence. We had done no more than prepare our duplicates for their voyage. These statues were a link to the lines on the palms of our hands. We had just begun, and, already, the moment for their departure was several years past due. One day, we observed that they had left. Six houses of the zodiac would rise and fall before we once again recognized the perfect language that we spoke.

 stamos-the-sacrifice-of-kro

Theodoros Stamos, The Sacrifice of Kronos, 1948

 

It was we who had once volunteered to give away our powers, yet we did not anticipate how large a portion this would be. We knew that speaking clearly was important. A great weight had been placed upon our tongues. Our lips just barely worked. We were scared of the depth of the forgetfulness that was coming. We were scared that a constellation might get stuck in our throats, that we might shake our stories apart in trying to dislodge it.

It was we whose preparations fell short of the mark. It was we who could not count the vessels that had shattered. It was we who had once plotted to assassinate the gods, our temperamental children, who had tampered with our DNA, who claimed that they had planted every culture. Few indeed were the rites they had not "borrowed" from their elders. They had taken from us our bird-cloaks, our plumb bobs, and our fish-suits. They had taken from us the small stones we had rubbed smooth with our hands. They had taken from us both the raw materials and the end results of our alchemy. With all their arts, they were less experienced than we were, and they were far more invested in the cosmic status quo.

The gods were desperate for existence; we could take it or leave
it. Their love of supernatural power had caused them to inflate, like balloons that would soon be turned into lead buoys. They used our untold traumas to fuel their conjurations. By creating their own reality, they were hoping to go up without ever coming down, to be full without ever being empty, and to be strong without ever being weak. Well, that was not going to happen. We would bow our heads, and smile. We would shield our energies. We would tend to our gardens, and we would scavenge for usable pieces when they crashed. Like ours, their arc was downwards. For them, it was not a choice. They were rulers, yes. They were beings who commanded our attention. Should we even still call them gods?

We were not, perhaps, quite as tiny or as limited as we appeared. Our rigor was martial. Death had camouflaged our capacity for stealth. They had hooked rings through our noses, the better for us to assist in the "improvement" of their stock. They had sealed the key to hyperspace beneath the eight plates of the skull. To some, a bit more intelligence; to others, a bit less, thus to set the part in opposition to the whole. Again and again, they told us stories from our childhood, of monsters under the bed, of presences too luminous to look upon and live, of traps to be sprung, of whole populations slated for blood sacrifice, of steps to be taken so this blood would not be ours. They told us what our needs had led us to demand, or rather what our fears had led us to imagine. If certain warnings did prove accurate, this was no thanks to our rulers, who had fallen under the spell of their own voices. They ignored far greater threats. They had always been pretenders.

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Zdzisław Beksiński, Untitled, 1987

 

They did not take note of the comet that was curving through deep space. Their hearts did not break when the last bees had departed from their honeycombs. They did not hear that the planets had stopped ringing. They did not care that the ocean had crept inch by inch towards their cities, that it welled up through their drains. They did not sense how each action would produce its harmonic counterpart. They could not grasp the sheer number of things that were happening at one time. As the wheel turned, the gods were subject to the law of unintended consequences. They forgot how to fit through keyholes. They could not find their way around their bodies. Their bones grew dim. Their magic became cancerous, yet they clung to their belief that their lineages were pure.

Let them play, we thought. Let them bask in the rays of their artificial sun. They did not know on whose backs their empires had been built. Even then, some few of us were circling in the borderlands, crouching around our campfires as the first lights on their towers began to flicker off. "We will," we said, "almost certainly, find the means to pull both the Earth and the sky from beneath them." We were nothing if not patient, and we had the advantage of having seen these events a great many times before.

There were those who believed that the ocean was not once as red as blood, or "wine dark," as the poet would prefer. A wave had once shattered every symbol on the coast, taking with it, as it withdrew, the occult history of our race. In our hearts was a catastrophe; we would pour them out. We drunken sailors did not have any choice but to gather up wealth from the four corners of the world. We were poor, and we had to pay down the high balance on our debt, which we had first incurred when we were brighter than the sun. Earth's overlords were rich, and asked for nothing but our lives. We had more than enough. Our bodies were like stadiums that had not ceased to hold multitudes.

gottlieb-pictograph-cr 

Adolph Gottlieb, Untitled, 1948

 

Again, we had begun to see. It was we who had built a faster-than -light vehicle out of space, and then narrowed our focus to develop the small bones of our feet. Strangely, we then swore at them, even though they had done their best to support us. It was we who instructed the megaliths that they should not speak with strangers; instead, they should whisper to the chosen, to those whose psyches were scarred. It was we who had consigned the most luminous of our cities to the deep. It was we whose all -purpose ships were built from the simplest materials. It was we who were forced to redraw our maps from scratch. It was we whose emptiness had given birth to the 64-cube tetrahedron.

For the infinite has a form. In the discord that it generates, the one sphere is economical. It was determined that we would meet in Ithaca at the end of the Great Year. There, even now perhaps, the Translucent Ones are replaying every turning point in the Ur -Text, as they choose up sides for the Games. 

 

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Brian George is the author of two books of essays and four books of poetry. His book of essays Masks of Origin: Regression in the Service of Omnipotence has just been published by Untimely Books at
https://untimelybooks.com/book/masks-of-origin. He has recently reactivated his blog, also called Masks of Origin at https://masksoforigin.blogspot.com/. He is a graduate of the Massachusetts College of Art, an exhibited artist and former teacher. He often tells people first discovering his work that his goal is not so much to be read as to be reread, and then lived with.
For more of his writings in Scene4, check the Archives.

©2025 Brian George
©2025 Publication Scene4 Magazine

 

 

 

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