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FIRST SEASON
The screenwriters put
their best into this
season because they might
not have the audience and
the 'greenlight'
to continue.
SECOND SEASON
The screenwriters did
things that deviate from
the initial proposal
because they already
served the best dishes in
the first season. Part of
the audience, which has
now turned into a
'fandom,' is
patient and eagerly dreams
of the third season
because the cliffhanger
was spectacular.
THIRD SEASON
The screenwriters, driven
by the fandom, discover
other ways and attract new
viewers. The marketing
team is very happy with
the product's sales.
FOURTH SEASON
The screenwriters explore
the consequences that were
set up in the third
season. The cast gained
significant attention at
comic cons. The producers
are considering creating
spinoffs or making a
feature for movie
theaters. The coffers are
hungry for money.
FIFTH SEASON
The screenwriters know the
characters and plots that
worked very well. So,
what's next? While they
decide, they create a
magnificent cliffhanger at
the end of the season to
resolve after the vacation
break, similar to what
they did with Jon Snow in
Game of Thrones
SIXTH SEASON
The screenwriters need to
resolve the magnificent
cliffhanger. Sometimes
they manage to do it;
other times, they have to
stretch the plots, which
leads to a lot of
complaints from the
fandom.
SEVENTH SEASON
The screenwriters
understand that this is
the perfect season to end
the series. Once that
decision is made,
everything becomes easier;
you just let it roll
downhill and focus on new
projects. By the way, the
fandom is already
interested in other series
at this point.
END
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