HG-10.26-1-cr

It’s Alice B. Time. High Time!

Hans Gallas

inSight

October 2026

Act 1

(The parlor adjoining a small, cramped kitchen at No. 5 rue Christine in Paris, 1963. At rise there sits Alice with her back to the array of legendary paintings aglow on the art walls behind her. She strikes a long kitchen-match, then slowly and deliberately lights a cigarette and exhales.)

ALICE

(dryly)

I like a view, but I like to sit with my back to it.

Ah, yes—the pictures. I know. I see your eyes…

— The Necessary Luxury Company
by Marty Martin (2016)

October. The month that Gertrude Stein and Alice B. Toklas returned to the U.S. in 1934 is the perfect time to begin the countdown for Alice’s 150th birthday in 2027, the beginning of ABT, “Alice B. Time.”

In the beginning was the Gertrude and then the Alice B. showed up on her first day in Paris at the Michael Steins and that was that.

My use of the proper noun “GertrudeandAlice” (which is usually corrected by the proofreader) implies the symbiotic relationship that developed after that first meeting. Edmund Wilson confirmed this in 1935 from his first-hand experience. Here is the complete quote which I’ve referenced before:

    “I called on Gertrude Stein and Miss Toklas the other day.  I like Gertrude Stein and found her stimulating to talk to; but the whole setup is rather creepy, and I don’t think I could ever be a habitué.  It is the most complete example of human symbiosis I have ever seen.”

But for some Alice still plays second fiddle to Gertrude’s first chair violin but next year I’m making sure she insists that Gertrude forfeits her chair.

HG-10.26-2-cr

Roughly three years after I was bitten by the “why-not-collect-Gertrude -Stein-stuff” bug, I decided to focus on Alice B. Toklas. She was born in San Francisco. I was living in San Francisco, so it was time to honor one of this city’s native daughters. The city named the one block, alley-like street behind the location of her birthplace on O’Farrell Street , Alice. B. Toklas Place in 1998.  Along that place, condos now sell for around three fourth of a million dollars in a renovated 1920s Cadillac dealership.

My Alice B. period began around 1999. I had created a timeline of key dates in her life with Gertrude and noticed that 2002 would be her 125th birthday. So, I began planning. First, it was a matter of going through my collection to see how many items I had that directly related to Alice. I had accumulated a large number of translations of her cookbook, some letters, a postcard she had written to a San Francisco friend a year after she had met Gertrude and a videotape and movie screenplay of I Love You Alice B. Toklas.  The 1968 cult film had nothing to do with Alice B. except for the scene in which hippie Leigh Taylor-Young grabs the Betty Crocker brownie mix and adds the ingredient that has kept Alice’s cookbook in print for 72 years.

HG-10.26-3-cr

It was during this inventory that I had the idea of collecting  things not specifically relating to Gertrude or Alice, but things similar to items they mentioned in their books or letters. Soon the collection began to grow with this and that such as the model of typewriter that Alice used to type Gertrude’s work and a cast iron corn bread mold like the one given to her by someone in Texas during the U.S. trip stolen by Vichy officials from their apartment in Paris during World War II.  Then I found a 1941 Mixmaster on eBay similar to the one sent to her during the war by their friend Samuel Steward.   His story can fill many a future article. Let’s just say he had a colorful life.  And yes, the autograph book which I wrote about last month was among the unconventional finds.

My keen eye and regular online searches while on this Alice B. treasure hunt also resulted in acquiring intriguing portraits of Alice. John Keating, a San Francisco artist, began creating works and he continues to surprise me with new GertrudeandAlice portraits annually.  John lives about three blocks from where Alice was  born.

HG-10.26-4-cr

With my trove of loot, two 2002 Alice B. exhibitions came about:  one at the Hormel Gay and Lesbian Center in the San Francisco Public Library, six blocks from her birthplace, and the American Library in Paris which is 2.2 kilometers from their apartment at 27 Rue de Fleurus and
5,561 miles from O’Farrell Street as the crow flies.  

HG-10.26-5-cr

With those events I felt that Alice B. was on her way to becoming more than Gertrude’s chief cook and bottlewasher or secretary, moving more and more toward being her “partner.” I tried to come up with a word for this transformation but couldn’t. Instead, I made up a word “wellknownness.”  As a fan of the grand tradition of German compound words, I asked AI to do the same and it came up with Weltweitallgemeinwohlbekanntheit, more than twice as long and certainly lexicologically impressive.

In the next few months, I will be giving Alice B.  even more due as we countdown to her 150th birthday on April 30th, 2027. I therefore proclaim that the next seven months will be “Alice B. Time.”  No wait, I proclaim that it will be all of next year: “Alice B. Time” during   the Chinese “Year of the Goat,” a year which is to be filled with peace, compassion and creative harmony – a bit like Leigh Taylor-Young’s Betty Crocker snack was to provide. PEACE, COMPASSION, CREATIVE HARMONY – World leaders are you listening?!

HG-10.26.-6-cr

There are no goat recipes in Alice’s cookbook, so one of the ten lamb or mutton ones will have to do. The most curious one is Gigot de la Clinique, page 33, invented by a surgeon. It requires injecting the meat with a syringe filled with cognac and fresh orange juice for a week. Your guests will have to be patient for this Year of the Goat feast.

In June of 2027, as we approach “creative harmony,” I will be producing the one-person Alice B. play, The Necessary Luxury Company by Marty Martin. It is a companion piece to the off-Broadway hit of the late 1970s, Gertrude Stein Gertrude Stein Gertrude Stein which starred the American comedian, Pat Carroll. I saw it in 1982 in Chicago.

HG-10.26-7-cr

The title of the play is the name given to Alice and her coterie of girlfriends in San Francisco by a male friend because of their unique ability to quickly restore everyday pleasures to their lives following the city’s 1906 earthquake.  In the play, Alice is preparing dinner for Annette Rosenshine, her cousin and Harriet Levy, her longtime friend from the time they both lived on O’Farrell Street. (Harriet’s memoir 920 O’Farrell Street from 1947 is still available.)  As Alice is cooking, she reminisces about her life with Gertrude and many of the other people in their life together and the meals she created.  This will be only the second time the play has been performed.

One last proclamation: during “Alice B. Time,” it will be “AliceandGertrude,” not “GertrudeandAlice.”

Now it’s time to set watches and clocks to “Alice B. Time.” There is no better way to once again say “We love you, Alice B. Toklas (and so does Gertrude Stein!)”

HG-10.26-8-cr

Act 2

(The doorbell buzzes.)

They’re here. After all these years. Are those two in for a treat!

(straightening her hair in the mirror)

Well now… there’s a face in the mirror after all—mine! Not some shadow. I am not dead yet! There will still be old friendships, new laughter...Oh, mes amis, though butter truly is divine, the most necessary luxury of them all is friends. Friends, friends, friends, friends, friends, friends, friends, friends, friends. (As she speaks, one by one the vanished paintings on the walls, with their myriad of faces, begin to reappear.) 

(The light fades.)

copyright 2016 by the Marty Martin

Note: AliceandGertrude on their violins courtesy of Tom Hachtman with AI tweaks. Photograph of cookbooks in a Parisian kitchen and photograph of 1935 San Francisco are AI generated.

Art of the Month

HG-10.26-9cr

“Alice and Gertrude,” Elizabeth Dekker (2024) encaustic.
“Alice and Gertrude,” Elizabeth Dekker (2024) acrylic on canvas.
Works commissioned for Gertrude’s
150th birthday exhibition in San Francisco in 2024.

 

Share This Page

View readers’ comments in Letters to the Editor

Hans Gallas collects, writes, makes found object sculptures, teaches art to children, curates exhibitions, cooks and bakes, naps daily, but is not a secretary. He lives in San Francisco with his long-time partner.

©2026 Hans Gallas
©2026 Publication Scene4 Magazine

 

 

YOUR SUPPORT

If you are enjoying what you’re reading please consider adding your support.
Scene4 is a global magazine featuring reviews, commentary, essays, fiction, photography, paintings, graphics and poetry. Founded as a monthly in 2000, with over 300 issues during the past 26 years of publication and an accessible, comprehensive archive now with over 18,000 pages (a unique array of articles most as contemporary as when they were first published). In these disruptive times, we need your help and support to weather the storm. Please make a contribution of any amount by going to our support page here and collect in return the sincere appreciation of our authors,
artists and editors and the continuation of Scene4.

October 2026

About

Cover   This Issue   inFocus   inView   inSight   Perspectives   Special Issues

  Masthead   Your Support   Submissions   Archives   What’s New   Books

 

  Comments   Letters   Subscribe   Contact Us

Search Archives | Share This Page

Scene4 is a print magazine on the web and designed to be read on a monitor or tablet. To read it on a phone, click the phone’s landscape button and
view the pages in landscape mode.

Scene4 (ISSN 1932-3603), published monthly by Scene4 Internationl Magazine
of Arts and Culture. Copyright © 2000-2026 Aviar-Dka Ltd – Aviar Media Llc.