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Foul Ball - An American Soap Opera

Altenir Silva

Chapter One.

 

We hear "Clair de Lune" by Claude Debussy on the darkened stage.

 

The lights come up on a Fellinian sea. Three sad men are sitting in a tiny boat. Martin is a good-looking man in his mid-thirties; Lomar is tall and strong in his thirties; Hall is a grumpy guy in his early to mid-forties.

 

(A moment with them sailing. Then, as the classical song fades out…)

 

LOMAR

(Wailing.)

We're gonna die!

 

(Silence.)

 

LOMAR

We're gonna die!

 

HALL

It's what happens with everyone that's living.

 

LOMAR

I don't wanna die.

 

HALL

Everybody will.

 

LOMAR

But not on the sea.

 

MARTIN

(Mocking.)

I think many people die under the sea, mostly when they drown.

 

LOMAR

Why?

 

HALL

(To Lomar.)

Serious?

 

LOMAR

My question is more philosophic.

 

HALL

(Scornfully.)

Oh boy!... We've a philosopher here.

 

LOMAR

Shut up!

 

HALL

Don't fuck with me dude or I'll fuck you.

 

LOMAR

Damn you!

 

MARTIN

Hey! Hey! Calm down, fellas!

 

LOMAR

He started this crap.

 

HALL

Don't disturb me!

 

MARTIN

(Firmly.)

Let's stop that shit, huh?

 

(Silence. A moment later.)

 

LOMAR

That's okay.

 

HALL

Anyway, we're going to die because... 'cause... our body... it's organic... one day it will rot.

 

LOMAR

We're gonna die because this shit will sink. We'll be shark food.

 

HALL

If we got luck, maybe it could happen.

 

LOMAR

Luck? I wonder if there's a better way to die.

 

MARTIN

It is our destiny.

 

LOMAR

I agree!

 

MARTIN

Someone has been writing our destiny.

 

LOMAR

God.

 

HALL

I don't believe in God.

 

MARTIN

I think God doesn't believe in you.

 

HALL

Are you a funny-man by chance?

 

LOMAR

Hey, dude! What's your problem? Where's your sense of humour?

 

HALL

It went away into the toilet.

 

MARTIN

Sounds like we have two comedians here, huh?

 

HALL

(To Martin.)

Don't fuck with me, cowboy!... My patience is vanishing...

 

MARTIN

And what happens after that?

 

HALL

I don't know... I never lost it completely... I'm a controlled man.

 

(The two stare at each other. Then...)

 

LOMAR

(Seeing something.)

Hey!... Look there!

 

MARTIN

What?

 

LOMAR

There! I think it's an island!

 

MARTIN

I don't know, it seems... too small… yes, it's an island!

 

HALL

What are you talking about?

 

MARTIN

The island.

 

HALL

Where?

 

LOMAR

(To Hall.)

Can't you see?

 

HALL

No...I just see the sea.

 

LOMAR

Hall... look in this direction.

 

HALL

I don't see any island.

 

LOMAR

Are you kidding? C'mon, man!

 

HALL

I think that both of you, I don't know, I mean, you two are seeing a mirage.

 

MARTIN

What? Mirage is a thing from one's mind. I never see a joint mirage.

 

LOMAR

It's a small island... and we're seeing it.

 

HALL

You two are crazy!

 

LOMAR

Martin, it explains everything.

 

MARTIN

(To Lomar.)

What're you talking about?

 

LOMAR

(To Martin.)

It's Hall... he doesn't believe in God.

 

HALL

And?

 

LOMAR

(To Hall.)

And you don't get to see the island.

 

HALL

Oh, boy! Here we go!

 

LOMAR

The island is a sign of God.

 

HALL

I-I don't… I don't care. I'm sick of all that crap.

 

MARTIN

Hall, it's serious. Listen to him...

 

HALL

Alright. Can you see God?

 

MARTIN

Of course not!

 

HALL

But you can see the island...?

 

MARTIN

Yeah.

 

HALL

So...?

 

LOMAR

So... what?

 

HALL

(Sarcastic.)

I need to explain?

 

LOMAR

What do you mean?

 

MARTIN

I don't get it.

 

HALL

Oh, man, please stop it. You two are getting crazy.

 

LOMAR

We can see the island, therefore, we can feel God.

 

HALL

(Breathes impatiently.)

Well, well, well. Forget about it all. I-I don't know, you know, I lost my thought... I forgot completely my argument... But... but... Lemme say to you… there's no island.

 

MARTIN

So...?

 

HALL

The game's over, fellas!

 

 

LOMAR

No, no, no!... What you don't know is the game never ends.

 

MARTIN

Faith, dude! Just faith.

 

HALL

I give up! Let's forget all that. I don't believe in God and neither on the island.

 

LOMAR

You're a poor soul.

 

MARTIN

You still didn't understand that God is the island?

 

HALL

Get out!

 

LOMAR

God is leading us to the island.

 

HALL

Okay! Okay! If that happens... I promise you I'm going to thank God.

 

MARTIN

But it's not fair. We believe in God... you don't.

 

HALL

(Mocking.)

It means that I don't deserve to live? Only both of you? What the kind of Christian are you?

 

LOMAR

Unfair. You will be saved because of our creed.

 

MARTIN

Exactly.

 

HALL

(Scornful.)

It's all right... if we get to the island... I'll be grateful to your faith, too.

 

(Silence.)

 

(A moment later.)

 

HALL

(Aware.)

Listen to that!

 

MARTIN

What?

 

HALL

Shhhh! I think it's an airplane!

 

MARTIN

I don't hear anything.

 

LOMAR

Neither I.

 

HALL

Shut up! It's a plane. It is real. We've a chance.

 

MARTIN

I don't get to...

 

LOMAR

Just you… just you're listening to that.

 

HALL

Are you kidding? Haven't you heard the sound?

 

LOMAR

Of course not.

 

MARTIN

You didn't see the island, we didn't hear the airplane's sound.

 

LOMAR

It's your faith against ours.

 

HALL

Bullshit! We've to make a sign to them.

 

MARTIN

(To Lomar.)

He lost his mind!

 

LOMAR

We haven't any red flare.

 

HALL

(Angrily.)

Shut up! We've to wait for them. They'll see us down here!

 

LOMAR

The sky is cloudy, by the way.

 

 

MARTIN

The man who doesn't believe… now is believing.

 

LOMAR

Where's the plane?

 

HALL

(Shouting.)

Silent, please!

 

(The three waiting, anxiously.)

 

(Blackout.)

 

TO BE CONTINUED

Next chapter: The Story of Hall

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Altenir Silva | Scene4 Magazine

Altenir Silva is a Brazilian playwright and screenwriter. In 2019, he won the Best Feature Screenplay at Prisma International Film Awards in Rome with The Sunrise Man (co-written with Ben Fiore, based on a story by director Werner Schumann). This screenplay was also nominated as a Top Finalist, 2017, Hollywood Hills Screenplay Awards, CA, US. In 2017 his short-play "Friendship" was published in "One Minute Plays: A Practical Guide to Tiny Theatre" (Routledge UK). In 2014 he received the Award of Excellence from Shakespeare at The Burg Theatre Festival (Middleburg, VA) for the play "The Idea". In Brazil, he worked as a scriptwriter for several TV shows at Globo TV, Record TV, CNT TV. He also wrote the feature films "Belarmino & Gabriela" (2007), "The Salt of the Earth" (2008), "Japan Connection" (2008), "Curitiba Zero Degrees" (2010) and "Moses and The Ten Commandments" (2015). For more of his writings in Scene4, check the Archives.

©2021 Altenir Silva
©2021 Publication Scene4 Magazine

 

 

 

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