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The Table

Altenir Silva

Story-line: Life begins and ends at the table.

 

SCENE ONE

Setting: A bar. Lights up on a table with two men. Jake (32) and Ernie (30).

 

JAKE

Man, you cannot change your mind just now. It's crazy, Ernie.

 

ERNIE

I know it's crazy… but… but… I cannot marry her… I lost my interest. I don't want to spend my entire life with a woman, who I felt nothing else. Anyway, you know, I'm seeing another girl.

 

JAKE

The girl from Yankee Stadium?

 

ERNIE

Yeah. We have a date. She's amazing! And I fell in love with her.

 

JAKE

Wow! I've never seen anything like that... How the hell did you fall in love so fast?

 

ERNIE

I don't know. But I'll have to break up with my bride.

 

JAKE

I hope you haven't forgotten that Don Bellini, the mobster, is the father of your bride, huh?

 

ERNIE

I know… it's my problem.

 

JAKE

It's a big problem.

 

ERNIE

What should I do?

 

JAKE

Man, man… I don't know what to say.

 

ERNIE

I know.

 

JAKE

What?

 

ERNIE

You could talk to him.

 

JAKE

Who?

 

ERNIE

Don Bellini.

 

JAKE

What the fuck, man!

 

ERNIE

Jake, we promised each other. Do you remember?

 

JAKE

No. What're you talking about?

 

ERNIE

When you were in college, you went on, "We will be friends forever, we will always stand by each other." So, now is the time to do that.

 

JAKE

Oh boy! I won't even be able to go near him…

 

ERNIE

I can try to get a meeting for you.

 

JAKE

You're out of your mind.

 

ERNIE

Please. I need you.

 

(Silence.)

 

JAKE

You know, huh? You know that after this meeting, our bodies will take one last trip inside the trunk of a car.

 

ERNIE

Maybe.

 

BLACKOUT

 

SCENE TWO

Lights up on a table with a couple.  Drusilla (26) and Luigi (30).

 

DRUSILLA

I won't marry him.

 

LUIGI

What?

 

DRUSILLA

It's over, Luigi.

 

LUIGI

What happened?

 

DRUSILLA

I will break it up?

 

LUIGI

Why?

 

DRUSILLA

You know, I don't love him… by the way, I think, I never loved that guy.

 

LUIGI

Good. And your dad? Does he know about your decision?

 

DRUSILLA

I'll talk to him, too.

 

LUIGI

Wow! When?

 

DRUSILLA

I don't know… but it has to be soon…

 

LUIGI

And your mom?

 

DRUSILLA

She knows. We talked yesterday.

 

LUIGI

What did she say?

 

DRUSILLA

She got nervous. And she was like, your dad will blow up the world.

 

LUIGI

Oh my God!

 

(Pause.)

 

DRUSILLA

Do you love me?

 

LUIGI

Of course, Drusilla.

 

DRUSILLA

Then, let's go to Europe. We could start a new life in Lisbon.

 

LUIGI

It would be dangerous. Your father will never understand our love. He hates my family.

 

DRUSILLA

My mom will fix all that for us.

 

LUIGI

I don't know.

 

DRUSILLA

Please. Trust me. It may be our only chance to be happy.

 

LUIGI

I love you!

 

(They kiss.)

 

BLACKOUT

 

SCENE THREE

Lights up on a table with two men.  Carbona (40) and Tommaso (35).

 

TOMMASO

Everything is right?

 

CARBONA

Yeah. The bodies are in the trunk of my car.

 

TOMMASO

Wait a minute! Are you talking they're here, inside your car parked on the street?

 

CARBONA

Yeah.

 

TOMMASO

Carbona! Carbona! Didn't you get rid of them?

 

CARBONA

No. You said to meet you here.

 

TOMMASO

Idiot! After you get rid of the bodies.

 

CARBONA

Sorry! I was on my way to dump them in the river when you called me.

 

TOMMASO

Oh my God!

 

CARBONA

Easy, man. Don Bellini didn't want this? The fiancé thing is over. The guy and his friend are dead.

 

TOMMASO

Okay, okay. Lemme see what to do now.

 

CARBONA

When we're done, I'll take them to the river.

 

TOMMASO

I think you have to go right now.

 

CARBONA

Tommaso? I'm waiting for my spaghetti with clams.

 

TOMMASO

Eat it later.

 

CARBONA

What? No way. Smell this dish... I can see the clams sliding through the spaghetti while my fork rolls it up. Come on, Tommaso! You invited me to this lunch. You'll pay for this spaghetti, won't you?

 

TOMMASO

You're sick.

 

CARBONA

Please, let me eat first…

 

TOMMASO

All right.

 

CARBONA

Thank you.

 

BLACKOUT

 

SCENE FOUR

Lights up on a table with a couple. Don Bellini (60) and Giovanna (50).

 

DON BELLINI

What she did to me is unforgivable.

 

GIOVANNA

Please, she couldn't marry a man she didn't like.

 

DON BELLINI

So, why she got engaged?

 

GIOVANNA

It was a fleeting love.

 

DON BELLINI

What?

 

GIOVANNA

She thought that guy would be the love of her life… but it happens that he ain't.

 

DON BELLINI

It's a lot of crap. She makes me get the wrong man. Mamma mia! Two guys are gone.

 

GIOVANNA

What're you talking about?

 

DON BELLINI

Forget it. Look, tell me about this other guy she's seeing.

 

GIOVANNA

He is a nice guy.

 

DON BELLINI

What does he do?

 

GIOVANNA

Well, well. He's an entrepreneur. He works with import products.

 

DON BELLINI

What's that?

 

GIOVANNA

I don't know… I don't understand the business world.

 

DON BELLINI

Well, well. I want to know this guy.

 

GIOVANNA

Yeah. We could invite him to dinner.

 

DON BELLINI

Yeah, of course. You can organize all that.

 

GIOVANNA

Of course.

 

DON BELLINI

Next week.

 

GIOVANNA

I don't know… I need to check out if they have any appointments.

 

DON BELLINI

I want to know all about this guy. What's his name again? Luigi? Is that it?

 

GIOVANNA

Yeah.

 

DON BELLINI

And what's his last name?

 

GIOVANNA

Well, I've...

 

DON BELLINI

What?

 

GIOVANNA

He's… he's… Luigi is nephew of Domenico Mancini.

 

DON BELLINI

What fuck is that?

 

GIOVANNA

But he doesn't work for the family.

 

DON BELLINI

(He punches the table furiously.)

Never! My daughter will never be part of that family.

 

BLACKOUT

 

SCENE FIVE

Lights up on a table with two men. O'Brien (40) and Mulligan (45).

 

O'BRIEN

Mulligan, listen to me. First, the bridegroom and his friend disappear. Then, the bride appears dead.

 

MULLIGAN

Yeah. But before someone killed the bride, Luigi Mancini, the nephew of Domenico Mancini, was killed. Of course, it was revenge.

 

O'BRIEN

Since then, four more guys have died.

 

MULLIGAN

(Reading a list.)

Paolo Bianchi, nicknamed "Carbona", and Enrico Tommaso. They worked for Don Bellini. And Ennio Rosselini, nicknamed "Big Nose", and Anthony Gemma were from the Mancini. All dead.

 

O'BRIEN

It's proof that they're making war. Two gangsters dead from each side.

 

MULLIGAN

Eight people died.

 

O'BRIEN

It's noise, man.

 

MULLIGAN

How could we do this report, huh?

 

O'BRIEN

You know, it will be very hard to get any interviews with them because these men from the mafia, you know, they don't speak to anybody. I'll try to talk to the FBI, and they will say it is a secret investigation. The silence will be total.

 

MULLIGAN

Right. Then, what do we do, O'Brien?

 

O'BRIEN

I don't know. I never did a story about this subject. Anyway, I didn't study journalism to talk to criminals.

 

MULLIGAN

Neither did I.

 

O'BRIEN

I got in this business because of baseball. Sportswriting was my dream.

 

MULLIGAN

I got my degree with other intentions, too. I want to write reviews of movies.

 

O'BRIEN

Oh boy!

 

MULLIGAN

I don't even know where to start this story. What I know is that we have a deadline.

 

O'BRIEN

I have an idea!

 

MULLIGAN

What?

 

O'BRIEN

We can start with the table.

 

MULLIGAN

What do you mean?

 

O'BRIEN

All these crimes were decided in a table conversation.

 

MULLIGAN

Yeah… it makes sense… probably with many foods and wines…

 

O'BRIEN

Exactly.

 

MULLIGAN

(Pointing to the table.)

Everything happens around here.

 

O'BRIEN

They kill and die at the table.

 

BLACKOUT

 

END

 

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Altenir Silva | Scene4 Magazine

Altenir Silva is a Brazilian playwright and screenwriter. In 2019, he won the Best Feature Screenplay at Prisma International Film Awards in Rome with The Sunrise Man (co-written with Ben Fiore, based on a story by director Werner Schumann). This screenplay was also nominated as a Top Finalist, 2017, Hollywood Hills Screenplay Awards, CA, US. In 2017 his short-play "Friendship" was published in "One Minute Plays: A Practical Guide to Tiny Theatre" (Routledge UK). In 2014 he received the Award of Excellence from Shakespeare at The Burg Theatre Festival (Middleburg, VA) for the play "The Idea". In Brazil, he worked as a scriptwriter for several TV shows at Globo TV, Record TV, CNT TV. He also wrote the feature films "Belarmino & Gabriela" (2007), "The Salt of the Earth" (2008), "Japan Connection" (2008), "Curitiba Zero Degrees" (2010) and "Moses and The Ten Commandments" (2015). For more of his writings in Scene4, check the Archives.

©2022 Altenir Silva
©2022 Publication Scene4 Magazine

 

 

 

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