An obscenity, to me, has the following elements:
- Engorgement -- also enlargement, tumescence, gluttony
- Rage — at the waste caused by outsized selfishness
- Regret — if things were not so enlarged, selfish, and wasteful, how less dangerous it would be for the vulnerable in the world
Thus, my play "Not Here"
BRIEF DESCRIPTION Jeff Boss sends Barack Obama a note.
CHARACTERS
- Jeff Boss
- Sniper
- Collateral Damage
- Innocent Bystander
- Voice of Warning
MISCELLANEOUS Sound cues throughout
JEFF BOSS at a table, with a notebook, a la Spalding Grey. A digital voice recorder and a cellphone are also on the table.
He is nervous, agitated. He looks overhead: faint but noticeable, the rotors of helicopters. The sound is not imagined.
He turns on the voice recorder.
BOSS
BOSS pulls a letter from the back of the notebook, but before he says anything more, he looks overhead again.
BOSS
The helicopter sound does not go away but continues, subsonic, as an underscore, coming in and out as the helicopters change position.
BOSS opens the letter.
BOSS
Your response it's a form letter form letter and that's not your real signature I don't think you robosigned a bill from Europe so you can robosign from anywhere "Thank you for your communication" "I listened to it with interest" I don't think you did, Mr. President, I don't think you did either listen to it or with interest
A police siren approaches and passes. BOSS waits, gathers himself.
BOSS
Another police siren approaches and passes, trying to catch up to the previous cruiser. BOSS turns a page in his notebook.
Helicopters still in the background.
BOSS
BOSS stops to listen. Something that sounds like a footfall, a second footfall. Then nothing.
Helicopters still in the background.
BOSS
The cellphone vibrates. BOSS looks at it but does not pick it up. It buzzes and buzzes until it stops.
BOSS
The phone buzzes again. Two more footfalls. Helicopters still in the background.
BOSS
BOSS stops, looks abashed. He pauses the recorder. He gets up to pace — his pacing is circumscribed, as if he were in a small room — or thinks he's in a small room.
A footfall. Helicopters. Cellphone buzzes. He puts his fingertips on the phone.
BOSS
He pulls back his fingers, as if singed.
BOSS
BOSS sits back down, checks his notes, and unpauses the recorder.
BOSS
BOSS pauses the recorder again. This time he looks forlorn, forsaken. He paces again, looks up at the helicopter sound. Two footfalls. He unpauses the recorder.
BOSS
BOSS stops, immensely sad. SNIPER steps into view, aims at BOSS.
BOSS
SNIPER fires. The gun's report is amplified to a painful level. The bullet smashes into BOSS' back and through his heart -- blood spatters everywhere.
The bullet continues through BOSS' body to hit COLLATERAL DAMAGE in the audience. The impact flings COLLATERAL DAMAGE against INNOCENT BYSTANDER, who screams, pushes away and back from COLLATERAL DAMAGE's corpse, crawling over any audience member who is in the way if need be.
VOICE OF WARNING comes into the theatre, quickly surveys the scene.
Helicopter sounds rise. Police sirens rise. The cell phone buzzes on the desk.
VOICE OF WARNING
Smash to blackout. Sounds continue for a second or two more, then cut out.
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