In This Issue
inFocus Opera: Origins Chocolate and Jeeja Fernando Bonassi Kostya’s Diaries
inView Dance Michael Bettencourt
The Voice of Eugene O’Neill Arthur Meiselman
Kostya’s Diaries Nathan Thomas
Stink Eyel Claudine Jones
Why Mountains Are to Climb Martin Challis
reView Film Reviews of There Will Be Blood Juno Charlie Wilson’s War Miles David Moore
Opera Origins: How does an opera come about? Karren Alenier
Film Chocoate with... Jeeja Janine Yasovant
Film Turquoise Rose What Navajo made that movie? Carole Quattro Levine
inSight Theater Steiny Road To Operadom In Circles Karren Alenier
Books La Femme, La Mujer, La Donna Un artiste sans la crainte Marjane Satrapi Lia Beachy
Poetry Life Among The Heffalumps Shakespeare and Sit-coms Kathi Wolfe
Comics Old Hippy Fun In The Boiler Room Part 6 Elliot Feldman
Books Fernando Bonassi In his own landscape Andrea Carvalho Stark
Scene4 Blogs the readers blog Qreviews Qué Pasa
Writers Blogs The Dressing-Karren Alenier On Miles David Moore-Miles David Moore Life In Acting-Martin Challis Thai Nights-Arthur Meiselman Dr. Barnabas T. Bynum's New School Musical Revue and Travelling Minstrel Show-Les Marcott
New Technology Dell XPS-M1530 - Notebook Olympus E3 - Digital SLR
International Magazine of Arts and Media
United States [Los Angeles, New York, San Francisco, Washington, D.C., Seattle] Thailand [Bangkok, Chiang Mai], United Kingdon [London] Australia [Brisbane], Singapore, Brazil [Rio de Janeiro] Canada [Toronto], Greece [Athens]
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Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International Magazine of Arts and Media - 6920 Roosevelt Way NE, Seattle, WA 98115. Copyright © 2000-2008 AVIAR-DKA Ltd - Aviar Media LLC. All rights reserved (including author and individual copyrights as indicated). All copyrights, trademarks and servicemarks are protected by the laws of the United States and International laws. No part of this issue may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording for public or private use, or by any information storage or retrieval system, without the prior written permission of the publisher............
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