In This Issue
inFocus Arts: Athens and Beijing at 2008 Olympics Opera: The Flying Dutchman Paris: plus ça change...
inView Eros On The Escalator Michael Bettencourt
The Story of Jody Thomas Arthur Meiselman
It’s A Tragedy Nathan Thomas
The Songwriter Les Marcott
Arts at the Centre Martin Challis
reView Film Reviews of Stop-Loss and Miss Pettrigrew Lives For A Day Miles David Moore
Opera The Flying Dutchman Karren Alenier
Film ”Indianer” A glimpse inside the world of German Hobby Indians Carole Quattro Levine
Arts Athens and Beijing The 2008 Cultural Olympics Andrea Kapsaski
inSight Theatre Steiny Road To Operadom Listening to Gertrude Karren Alenier
Theatre Story A Daring Dramatic Leap Ned Bobkoff
Paris plus ça change... Renate Stendhal
Poetry Life Among The Heffalumps Anna Nicole Innocence is a Return, Not a Point of Departure Kathi Wolfe
Festival Songkran Happy “Wet” New Year Janine Yasovant
Comics Old Hippy Fun In The Boiler Room Part 8 Elliot Feldman
Scene4 Blogs the readers blog Qreviews Qué Pasa
Writers Blogs The Dressing-Karren Alenier On Miles David Moore-Miles David Moore Life In Acting-Martin Challis Thai Nights-Arthur Meiselman Dr. Barnabas T. Bynum's New School Musical Revue and Travelling Minstrel Show-Les Marcott
International Magazine of Arts and Media
United States [Los Angeles, New York, San Francisco, Washington, D.C., Seattle] Thailand [Bangkok, Chiang Mai], United Kingdon [London] Australia [Brisbane], Singapore, Brazil [Rio de Janeiro] Canada [Toronto], Greece [Athens]
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Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International Magazine of Arts and Media - 6920 Roosevelt Way NE, Seattle, WA 98115. Copyright © 2000-2008 AVIAR-DKA Ltd - Aviar Media LLC. All rights reserved (including author and individual copyrights as indicated). All copyrights, trademarks and servicemarks are protected by the laws of the United States and International laws. No part of this issue may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording for public or private use, or by any information storage or retrieval system, without the prior written permission of the publisher............
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