DIE TOTENINSEL
A World Premiere by Liam Scarlett. He has dared to go all out and say something, something stirring and meaningful.
Renate Stendhal
BLACK, WHITE AND STREAMING
Roma, Cold War
If Cuaron had never shot another scene in his life that sequence alone would establish him as one of the great masters of the tracking shot, besideOrson Welles and Max Ophuls.
Miles David Moore
FOXTAIL AGAVE
Rare in the wild, revered for its glamorous, curved inflorescence.
The Photography ofJon Rendell
A new series, dedicated to new perspectives on Kandinsky’s “life in art” that contribute to our seeing Kandinsky anew.
Lissa Tyler Renaud
“THE PIANO AIN’T GOT NO WRONG NOTES”
Some Thoughts on Erik Satie and Thelonious Monk
Gregory Luce
REINVENTING THE WHEEL The Tradition of Innovation in Poetry
The poets will challenge the notion that tradition and innovation are at odds by revealing how specific poems influenced them and led them to better understand different poetic elements. .
Karren LaLonde Alenier
GODDESS IN EXILE continued
Tony and Hans head to Fanelli’s – a corner bar in Soho where the die-hard alcoholics hung out – there they meet Buck Klein loosely based on Robert deKooning walking the streets of Tribeca smashed.
Griselda Steiner
THE REAL HOUSEWIVESOF OLD FART VILLAGE
Elliot Feldman
LOOK AT ME, I’M ON AN ADVENTURERobert Louis Stevenson and Treasure IslandA swashbuckling, thrilling theatrical retelling is demonstrating just how timeless Stevenson’s novel is.
Carla Maria Verdino-Süllwold
ZELMIRA
A little-known bel canto opera by Rossini at Washington Concert Opera
OPAS CHOTIPHANTAWANONโอภาส โชติพันธวานนท์
Images we see are like masks that hide real identities.
Janine Yasovantคลิกเพื่ออ่านบทความนี้ เป็นภาษาไทย
painting
DANCING MUSE 2
poetry
FATAL DISAPPEARANCE
The Art of David Wiley
YOU
Sing to me... singer of you and meThe night is ending.
Selena Zachai
VISUAL POEMS
David Alpaugh
SPOOKHOUSE
The group is taken into the cabin, where a sweet little old lady is waiting. Her grandchild arrives, and the sweet little lady begins taking a strange turn. She proceeds to try and poison the grandchild, offering the food to the group as well.
Timothy Starnes
UNDRESS ME Michael BettencourtIn a bar, Laura turns to Stefan and asks him to undressher by word of mouth, in his best mother tongue.
THE GREED GENE Michael BettencourtA young couple is told by their genetic counselor, the "genie of genes"that their child has the greed gene, and there is nothing they can do.
mediavideo
An astute and entertaining array of audio essayson an array of topics by an astute andentertaining essayist.
THEATRETHOUGHTS
audio
theatreTALOS ENSEMBLEA New Medea Noir
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The Steiny Road to OperadomIndex of all of Karren Alenier’s columns in Scene4.Click Here for Access
Comics/CartoonsIndex of Elliot Feldman’s comicsand cartoons in Scene4. Click Here for Access
Film ReviewsIndex of all reviews by Scene4’s Film Critic, Miles David Moore.Click Here for Access
WritingsIndex of Renate Stendhal’s articlesand reviews in Scene4.Click Here for Access
Special—Indexes
WritingsIndex of columns and writings by Danin Adler and Arthur Meiselman in Scene4. Click Here for Access
Everything Old Is New AgainJanuary 2013 | Click Here
What Is Obscenity and What’s Not?January 2012 | Click Here
A Brief But Quirky History of the ArtsJanuary 2011 | Click Here
The Rising Fall of the ArtsJanuary 2010 | Click Here
The OneJanuary 2009 | Click Here
What Is Art?January 2008 | Click Here
View of the ArtsJanuary 2007 | Click Here
The Art of Sex in the ArtsFebruary 2006 | Click Here
State of the Art of the ArtsOctober 2005 |Click Here
Special—Issues
Good Reading Is Currently On Sale Here
Letters to the EditorRecent Letters View RSS feed
Karren Alenier’s BlogThe Dressing: What's Underneath the Art View RSS feed
THE GOOD WIDOWERWhat an enormous distance between our caretaking for this simple and treasured man and the troubles roiling billions of lives throughout the world. At least for him we can do some things. He is DNA-close to us, he is an elder of our tribe. Michael Bettencourt
LIFE AMONG THE SPECIESA persistent tribute to and an icon for superstition and fear, a stupidly designed structure with an ugly exterior that denied Greek and Roman engineering and beauty… the angry-god cathedral, Notre Dame, burned down. Arthur Danin Adler
GOING TO BE HARD IF NOT DIFFICULT 20 little squares circling my head at the speed of light Israeli spies? The hell's going on stop stop stop stop stop stop stop it stop it stop it. Female voices telling me it's okay it's okay you're fine surgery went well everything's going to be fine. Claudine Jones
ON THE 20TH ANNIVERSARY OF COLUMBINESince those days about twenty years ago, the word “Columbine” has come to define itself – the site of a mass shooting incident. And since then several other sites have been added to the list. Nathan Thomas
THE JOURNAL I NEVER KEPTIt’s not a stinging regret, but sometimes I feel a guilt pang. And once in a rare while, given the right blend of melancholy and Margaux, I feel like Rutger Hauer as replicant Roy Batty at the end of Blade Runner. Patrick Walsh
WE LAUGHED I love a good story, to the point where I want it retold every so often – the funnier, the better. And most of them get better with the retelling. Are there some embellishments? Sure, but the humor…and the truth is in the telling. Les Marcott
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May 2019
Volume 19 Issue 12
SECTIONS: Cover | This Issue | inFocus | inView | inSight | Perspectives | Special Issues | Books COLUMNS: Adler | Alenier | Bettencourt | Jones | Marcott | Thomas | Walsh INFORMATION: Masthead | Submissions | Recent Issues | Your Support | Links | Archives CONNECTIONS: Contact Us | Comments | Subscribe | Advertising | Privacy | Terms | Letters
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Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine–International Magazine of Arts and Culture. Copyright © 2000-2019 Aviar-Dka Ltd – Aviar Media Llc.
