Impossible Bird What is so delightful about this display is that it is not a fantasy. It is real, and your photographs are wonderful, there really are black swans. Moreso, the portait of the swan, up close and personal, is a breath-taker, especially when it is presented on the cover juxtaposed eye-to-eye with Kenneth Branagh as Shakespeare. Happy for you that you are back in Australia and I gather that
you are too. More, please, more. Charla Tintari Jon Rendell’s photography: The Impossible Bird How Anorectic Can A Homily Be? Hilarious as this is, it also churns my anxiety (which doesn't need much churning these days). A one long sentence that flashes through dangling its invitation to be read again and again. Very clever! But what happens is that my "future" brain matter collides with my "past" brain matter and raises so many questions, such as: Who the hell is Clementine? and How did your good doctor ever get a Ph.D.? Louis Laird, Ph.E.
Arthur Danin Adler's column: A Brief Anorectic Homily On Time Lives of the Lens There's no doubt about it, Penn was brilliant and so is Freson. I met Penn once in New York
and always followed his work especially his photojournalism. I believe and still do that he edited his shots in the camera, in his eye, in his mind and didn't rely on darkroom wizardry to capture and produce the image. How far we've come from Penn's vivid and nuanced portraits to what passes for photography today: filmless, paperless and mindless. Today, the camera shoots the photo, not the photographer. Hans Ivganz Carla Maria Verdino-Süllwold's article: Lives Intertwined by the Lens Banjerd Lekkong Yes, a very world class artist. Janine Yasovant writes about him with compassion and trust. She
lets him speak and he speaks with the passion and strength that he creates in his sculptures. He should be in the art headlines everywhere, but then we would lose him to New York and Paris and Thailand cannot afford to lose him. Bravo and thank you for this inspiring view of a great artist. Timo Sunchai Janine Yasovant's article: Banjerd Lekkong
Votes for Women
I think of Gertrude Stein's Tender Button, "Mildred's Umbrella," which one may posit has something to do with the Suffrage Movement(s). "A cause and no curve..." Perhaps sons, grandsons, et.al. should come along for this ride, too! A thank you to Karren Alenier
for her report on this exhibition. Teri Rife Karren Alenier's column: Votes for Women Journal Regrets Whatever
the reasons, Patrick Walsh echoes those of us who cannot reconcile our innermost thoughts and memories with the everyday life we lead. Journals are important, I agree, but they are also destructive and deadening in that they stalk our living memory, which continues to change, and make it blurred and forgetful. Who are journals for anyway? Certainly not the journal keeper. Andrew Mendelsen Patrick Walsh's column: The Journal I Never Kept From Satie to Monk and Back This is a very hip analysis. Thank you Gregory Luce. You give us a slant that spurs a thousand angles. The one that tickles me the most is what if Monk came first and Satie after. Would he lap up the great Thelonius? No doubt in my mind as his great
protege Maurice Ravel drank up the jazz of his time. Monk still cuts through the noise and leaves space for Satie to follow. Michael Aptrow Gregory Luce's article: The piano ain't got no wrong notes
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