The Snare of Distance and the Sunglasses of the Seer/ Part Four

Brian George

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Paul Laffoley, The Metatron, 1977

It is certainly odd: that even though some part of ourselves may be living in the future, our predictions are far more likely to be wrong than to be right. To see would demand that we acknowledge what we see, only to then catch ourselves off guard. To see would be to predict that we will die, to accept that we just did, to then believe the Ancients when they say that death is both a journey and a challenge, for which we must prepare.

If release brings joy, both after death and in daily contemplative flashes, this joy may be only a test, a pause to strategize the terrain of a coming war. To see would be to search the depths of knowledge beyond peace. To see would be to set aside each body in turn, not just the physical one we are used to. To see would be to challenge each false ruler of the cosmos. “I know you—fill in name of Gnostic archon—for I am of those from above!” To see would be to fall like light through outer space. To see would be to give, to whomever, wherever. It would then be up to the recipient to throw away the gift. To see would be to begin beyond the end, to laugh. To see would be to remake ourselves in the image of what sees.

If there are forces that may actively attempt to block our view, our own sense of false humility may be a bigger factor. Real humility creates openings; the false type shuts them down. If prophesy does depend on our ability to see clearly into the moment, whatever this moment might be—to boldly recognize patterns that are just beginning to emerge or to probe into patterns that have long been in existence, but which, for whatever reason, have not yet become visible—then our success may come more from a set of classical virtues than from a bag of occult powers. We have only to differentiate real virtues from their substitutes.

To be virtuous, as I use the word, is not necessarily to act well. No; it is only to be conscientious in keeping our heads clear, to act well enough to be of service to our vision. In the morning of the world, there were those among our teachers who had said, “Let us break you, just a little.” Our lifespans were shrunk. A fog was attached to our eyes. We were taught to count to count from one to two. To be virtuous was to choose between them. Well, enough of that. There are other sorts of virtues. Should we once more make our vision circular, we may find that our powers are equal to our ends.

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Rudolf Hausner, Black Stone, 1995

Let me call these virtues the “Anamnesian Virtues.” These are real virtues, however much they have been formatted by an artificial author. Their names are common, like the days of the week, yet a shadow has fallen between one culture and the next. The original definitions do not correspond to ours. To the extent that they remain on this side of the existent, we must acknowledge that they are fragments from a long since vanished text, which was copied and then recopied into half a dozen languages before once again being lost. Such a text is obviously prone to mistranslation, if not self-serving paraphrase. Let me nonetheless present my attempted reconstruction. The seven virtues are as follows:

1) Detachment: the capacity to see the ocean that will swallow up all things, and to listen as it whispers in your ear. You should, paradoxically, become even more empathic as the degree of your detachment grows. You may act on this, or not. You may spill your blood as a purely symbolic gesture, in service to those humans yet unborn. You may feel the pain of the multitudes that you kill.

2) Foresight: the capacity, while still in love with life, to be dead, and productively so. So too, the longer you are dead the more alive you will be.

3) Self-reliance: the capacity to stand on your own as you free yourself from the force-fields of the common wisdom, and then not complain too much. This will be more of a challenge if your head, hands, heart, and feet have been removed. Most prostheses will require some amount of training, after which you will become 100 percent free.

4) Balance: the capacity to see the right in every wrong, as well as the wrong at the dead center of each right. By the blinding light of the hypersphere, we can see that even the most generous of our actions is a crime. At one and the same moment, every crime can be regarded as a type of revolutionary act, as a flawed but useful reinvention of the law. Strange indeed are the methods of the stern Goddess of Necessity!

5) Hindsight: the capacity to remember just when to shut up, the instinct to leave the most important details out, and the knowledge that you have seen these things a great many times before. To all others has a role and a position been assigned; to the seer, only the pathos of descent.

6) Stealth: the capacity to bring your full energy to a project when there are few who understand what you are doing, and none who will reward you. Only in this way will the dead be prompted to grant access to their libraries.

7) Simplicity: the capacity to make do with whatever Fate deposits. We must do what we were meant to do. We must go where we are meant to go. The shortest distance between two points, however, may turn out to be a labyrinth. We must read each accident as a catalytic cue in order to discover the true outlines of our work.

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Giorgio de Chirico, The Serenity of the Scholar, 1914

 There is a fog that drifts through the City of the Oppressors, from whose spell we must free ourselves. Such an act may not increase our personal wealth or popularity, of course; thus our progress may seem to others the very definition of failure. A “win-win” solution may not be in the cards. If we do decide to act, these virtues may help us to develop the breadth of vision that we need. They are of use to both the solitary artist and the multitude. No line divides the subject from the object. “One thought fills immensity,” as Blake argues in The Marriage of Heaven and Hell. Even good habits must be probed and then, finally, dismantled. All crutches must be thrown away, as we free ourselves from the advice of experts, from the urge to see our side win and the other side destroyed, and from the high-tech wet-dreams each day generated by the media. At the end, there should be nothing left but space.

Conversely, we must have the courage to accept that we do not, in fact, create our own reality. For the “You” is inextricably bound to the experience of the “We.” The “Body Politic” is an actual body, however much we might choose to view it as a metaphor. One victory leads to the next, smartphone upon smartphone, upgrade upon upgrade, until the spell of neoliberalism has left no tribe untouched. You are one of 8 ½ billion being swept along through the veins of a metastasizing empire, whose reach is interdimensional in its scope, but whose key principle, at the moment, is nowhere to be found. Its search engines troll for evidence that it has not ceased to exist, as there, just up ahead, the ghosts of failed superbeings beckon from the fallout.

 

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Brian George is the author of two books of essays and four books of poetry. His book of essays Masks of Origin: Regression in the Service of Omnipotence has just been published by Untimely Books at
https://untimelybooks.com/book/masks-of-origin. He has recently reactivated his blog, also called Masks of Origin at https://masksoforigin.blogspot.com/. He is a graduate of the Massachusetts College of Art, an exhibited artist and former teacher. He often tells people first discovering his work that his goal is not so much to be read as to be reread, and then lived with.
For more of his writings in Scene4, check the Archives.

©2026 Brian George
©2026 Publication Scene4 Magazine

 

 

 

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