January 2023
The Hours—Choosing Life Over Suicide 'How to be in the world' is the subject of a new opera in a simulcast of a live Metropolitan Opera performance. Karren Alenier
Baum Ahead of His Time
The Media's all in a sweat about robots taking over. But if built like Baum's Tik Tok—no need to fuss. He's gentle, loyal, caring, helpful to everyone in OZ. (And a hell of a lot less dangerous than most of us!) David Alpaugh
The Stranger Face of the Friend Then, with no warning that anything unusual might occur, I experienced an outpouring of creative energy, as explosive as a pyroclastic flow. Brian George
Matisse in the 1930s The pleasure of seeing works by Matisse. Karren Alenier
An Intimate Memorial Account of Kandinsky: Thomas de Hartmann This man was loved by all who knew him, and for whom he has not died. Jelena Hahl-Fontaine and Lissa Tyler Renaud
Letter to John Rueschhoff Martes Gordo [Carnaval] is over but there is always a carnival in Vera Cruz, a Coney Island of the mind if nothing else. We are living on another planet here. David Wiley
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Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine of Arts and Culture. Copyright © 2000-2023 Aviar-Dka Ltd – Aviar Media Llc.
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