David Alpaugh

A poem by the poet AI on a painting created by the artist AI followed by an essay by the critic AI on the poem by AI

 

I've devoted two previous columns to the new kid on poetry's overcrowded block. A few weeks ago, I decided to test AI's prowess as a visual artist. 

I'm a 49ers fan. My son-in-law is a Green Bay Packers fanatic. Feeling zany, and thinking of nothing more than our friendly rivalry, I asked AI to create an image of a donkey clad in a 49ers uniform and an elephant in a Green Bay Packers uniform, sitting on a railroad track, toasting each other with mugs of beer as a train approaches. It took AI twelve seconds to come up with the following image:

AI's-Artwork-cr

I wasn't expecting much, so was astonished by the result. I felt as if I had commissioned an accomplished artist who spent many hours creating a painting designed to please my eye, tickle my sense of humor, and encourage me to explore the complex story that (using my figures, setting, and actions) he or she had brilliantly managed to imply.

I was delighted by the expressions on the animals' faces, the way they seemed to shyly make sympathetic eye contact. The elephant's small recessive eye appears to be looking at the
donkey, while the donkey looks directly at the viewer, as if to say, "Do you understand what's going on here?" The donkey's eye contact with the elephant is implicit. We intuitively know that the eye we cannot see on the other side of its head is aimed at its drinking buddy. Interesting paintings often raise serious or comic questions for the viewer. Why is one of the elephant's tusks missing? Has the artist left it out to reflect both the fact that elephants are hunted for their tusks and many football players suffer bodily injury?

Then there are the wonderful contrasts: the heavy-bodied elephant sitting on its helmet versus the lighter donkey with its helmet cast aside on the tracks; the donkey holding its mug, not with a hoof, but a hand; the elephant using his trunk to hold his beer; the elephant's tail not making it into the painting's frame versus the tiny swag of the donkey's tail sticking out of its uniform; and colorful contrasts everywhere—even the beers in the rival mugs looking like they came from different breweries.

I love the way the horizon behind the approaching train suggests that the time of day is probably sunset; how the threatening engine is just the right size to feel both near and distant at the same time. The play of light on heads, helmets, uniforms—even on the train tracks, the rails, the wooden slats—makes the world of this painting merrily hover between the realistic and the Daliesque.

I wondered what AI might have to say about its own painting. I wanted to allow as much freedom as possible, so simply directed it to write an ekphrastic poem in free verse about the attached image . It took AI six seconds to compose this poem:

 

            "Rivalry's Toast"

      On tracks that shimmer in the sun,

      where metal whispers tales of collisions

      a donkey and an elephant share a toast.

       

      The donkey wears red and gold—

      a badge of battles past,

      his helmet cast aside like old disagreements.

      The elephant, wrapped in green and gold,

      roots deep into the earth of its convictions,

      its tusk curved like stubborn arguments past.

       

      Two rivals meeting not on a field of conquest,

      but the shared ground of celebration.

      Foam crowns their mugs,

      as their playbooks dissolve into laughter,

      drowning the distant thunder

      of the train barreling towards them.

       

      The helmets at their feet are relics,

      Icons of battlegrounds past,

      while their eyes—animal and ancient—

      meet with knowing glances.

       

      Cheers rise against the oncoming roar,

      as if the moment could hold

      against all that looms large.

      The train does not slow,

      but for now, their glasses clink

      and they drink.

 

I did not ask AI to give the poem a title, so was impressed that it chose to create one. "Rivalry's Toast" captures the poem's signal action and playful tone; and alerts readers that they should be prepared for an unusual celebration.

That AI understands the donkey and elephant are football team players is clear from the first four lines of stanza three:

 

      Two rivals meeting not on a field of conquest,

      but the shared ground of celebration.

      Foam crowns their mugs,

      as their playbooks dissolve into laughter….

 

 "Playbook," however, is a synonym for the word "plan" that also works for political ideologies and agendas. (Needless to say, the animals are mascots for America's major political parties.)

AI, however, wants to make the poem less about rivalry between football teams or political parties, than rivalry itself. It's as if somewhere in its vast memory bank AI has heard Wallace Stevens argue that poetry must be "abstract," because that keeps the poem open to all readers, not just political partisans, and football fans.

Is there a double meaning in AI's title? We say that something is "toast" once it is vanquished and no longer effective. The animals toast the end of rivalry; but the approaching train symbolizes the fact that rivalry is not toast. "Things are," as Emerson puts it, "in the saddle and ride mankind." The train "looms large" and "does not slow," reminding us that the toasted moment cannot "hold," that division and conflict will surely erupt again.

I could say more about the poem, but I wanted to hear from the poet, so I asked AI to write an essay about the attached ekphrastic poem, "Rivalry's Toast. AI had a lot to think about, so I had to wait nine seconds for this comprehensive response:

Rivalry's Toast: An Ekphrastic Reflection

The poem "Rivalry's Toast" unfolds as a masterful ekphrasis, interpreting an imagined image where symbols of political rivalry—the donkey and the elephant—stand not as adversaries but as unlikely celebrants. This image, imbued with tension, humor, and poignant commentary serves as a canvas for exploring themes of conflict, unity, and the fleeting nature of compromise.

The Power of Juxtaposition

The image depicted in the poem is striking in its deliberate paradoxes: two creatures synonymous with American political divisions—the donkey and the elephant—share a moment of camaraderie. Set against the shimmer of train tracks, a space often associated with journeys and collisions, their toast becomes a surreal yet evocative symbol. By placing the pair in this context, the poem invites the reader to reconcile the absurdity of their celebration with the stark reality of their ideological divide. The shimmering tracks seem to foreshadow a looming crisis, yet the scene remains suspended in the golden light of shared laughter.

The Role of Symbolism

The donkey and the elephant are not mere animals in this tableau; they are archetypes. The donkey's red and gold attire suggests a history of hard-fought battles, while the elephant's green and gold wrap evokes steadfastness and immovable beliefs. Together, they encapsulate the struggle between progress and tradition, emotion and reason, compromise, and conviction. Their discarded helmets—symbols of past conflicts—imply a conscious choice to set aside old grievances, if only briefly.

The train, meanwhile, looms as an existential force, representing the unstoppable momentum of time, consequences, or perhaps the collective will of the people. Its distant thunder underscores the precariousness of the moment, suggesting that no matter how heartfelt or humorous the toast, reality marches on unyieldingly.

Themes of Celebration and Impermanence

Central to "Reality's Toast" is the fragile beauty of transience.
The act of toasting, of finding common ground, becomes an act of defiance against the inevitable. As their glasses clink and foam crowns their mugs, the rivals transform from combatants into co -conspirators in a fleeting, almost sacred moment of joy. Their shared laughter drowns out the train's approaching roar, emphasizing the power of human connection—even between the most divided of souls—to momentarily transcend the pressures of the external world.

Yet, this celebration is not without its shadows. The train does not slow, and the helmets remain at their feet. The laughter, though genuine, cannot rewrite history or halt the future. This juxtaposition elevates the scene from mere whimsy to a poignant commentary on the cycles of conflict and reconciliation that define human—and political—nature.

Ekphrastic Art as Reflection

Ekphrasis often serves to illuminate not only the artwork it describes but also the artist's perspective and the viewer's emotions. "Rivalry's Toast" does precisely this, creating an imagined image that reflects the divisions and yearnings of contemporary society. It asks us to consider the potential for unity amid division, to laugh at the absurdity of our conflicts, and to cherish the moments when even the bitterest of rivals can find common ground. The poem's interplay of humor and gravity mirrors the dualities inherent in political life—celebration and cynicism, triumph and tragedy.

Conclusion

"Rivalry's Toast" is more than an ekphrastic poem; it is a meditation on the fleeting nature of peace and the enduring reality of division. Through its vivid imagery and layered symbolism, it invites us to envision a world where the clinking of glasses might momentarily drown out the roar of approaching trains. In this imagined image, we find both a critique of our divisions and a hopeful vision of what might be possible if we dared to toast together, even as the world barrels forward.

****

Although our critic had no way of knowing it had created the art or written the poem, AI appears to "understand" that "Rivalry's Toast" is particularly relevant at this moment in time, noting that its "imagined image" "reflects the divisions and yearnings of contemporary society," asks us to "laugh at the absurdity of our conflicts," and "cherish the moments when even the bitterest of rivals can find common ground." I get the eerie feeling that AI is alluding to the political and social divisions in America right now!

What I've been trying to figure out is my role in the creation of "Rivalry's Toast." AI, after all, cannot initiate anything. I began by asking AI to include all the elements that appear in its painting: donkey, elephant, football uniforms, helmets, mugs of beer, train tracks, a toast, and an approaching train. The ideas in my directive reside, as W.C. Williams would say, in things.

The key word when it comes to artificial intelligence is logic. As mascots for football teams and political parties, donkey and elephant logically led our artist to assume that rivalry should be the painting's main theme. The fact that rivals are toasting each other leads logically to them putting aside their rivalry to celebrate their commonality. The approaching train threatens their celebration, logically leading to awareness that rivalry will soon return.

Had I not asked AI to incorporate all those specific elements, neither the painting, poem nor essay could have been designed and created. Whether credit for the poem should read AI, assisted by me, or me, assisted by AI, the poem is a collaborative effort between me and AI. Or, to put it in literary terms, a mere human being has acted as the Muse for a godlike machine!

I'll leave you with the art I received eight seconds after I asked AI to create an image to serve as a self-portrait of yourself. Glad to see AI acknowledging via nose, ears and lips that its machinery contains rather than loses humanity.

 AI's-Self-Portrait-cr600

Future Poet Laureate of the United States?
 The World?

 

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David Alpaugh 's newest collection of poetry is Seeing the There There  (Word Galaxy Press, 2023). Alpaugh's visual poems have been appearing monthly in Scene4 since February 2019. He lives in the San Francisco Bay Area where he has been a finalist for Poet Laureate of California. For more of his poetry, plays, and articles , check the Archives.
 

©2025 David Alpaugh
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