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25th Year of Publication

 Issue 299 | Volume 25

 

November 2024

 Chicken Bone (Part Four)
My Story with Ernest Hemingway

Altenir Silva

Previously... She entered and said, "I need to talk to you." I replied, "Of course, you do." Without further conversation, she got straight to the point, explaining that she had been at Don Cristallo's party because she was an FBI agent conducting a secret investigation into that family.

Continuing…

FBI agent? I was completely shocked by what Allison told me. Then, she approached me, and face to face, murmured, "I really need your help." At that moment, I just saw her lips whispering as if they were saying, "Kiss me, stupid." But no. The situation was serious, and I expelled that thought from my head quickly.

Allison insisted on my help, and without a trace of heroism, I asked, like Tom Cruise in his movies, "What can I do for you?"

Then, Allison said, "First of all, I need to explain why I didn't attend our date. It was because I knew that Don Cristallo would be there. So, two plus two, do you understand me?"

"Yeah! It makes sense!" I said.

She continued, saying that because of these events, our relationship could not move forward. She broke up with me and begged me to stay silent about what I had just learned. She demanded, "If something happens to me, you will be the only one responsible. Please, forget about us and keep silent about Don Cristallo's family."

She said it and walked away. My heart was broken. Before I had time to digest the loss, my phone rang. It was John Fedder, the producer, informing me that Michael Bay had declined, as had Spike Jonze. The director chosen to helm the film was Greg Bartlett, a guy who had directed some TV series episodes and one feature that had flopped. John also mentioned that the actor starring in the movie would be Clinton Ford, a former action movie star who had retired but was planning a comeback with my film.

Two months later, with Allison still on my mind, I went to Silvercup Studios in Queens for the first day of production. The set was ready to go. In the scene, the actor Clinton Ford was supposed to have breakfast with his wife and two kids. The director called, "Action," and after a few takes, repeated the scene. Clinton seemed to be getting drunk. It turned out he had been putting vodka in his coffee. After several takes, he was very drunk. So, there was a sudden clash on the set, and filming was interrupted. John Fedder was furious, as the studio costs would break the budget. The actor cursed everyone and stormed off. The director declared that he was out; he couldn't work with a loser actor. My dream had become a nightmare.

Four days after that commotion, I opened the New York Post and saw on Page Six that our actor, Clinton Ford, had been in a car accident, and the movie's production was canceled. My world collapsed again.

Then, my intercom buzzed. I answered and told Big-Bang to come up. He was cool and asked what I would think about Tom Hanks taking Clinton Ford's role. "Really?" I asked. He said it would be easy; Don Cristallo has many friends in Hollywood. I said okay, and before he left, he added, "Clinton Ford is out because nobody can disturb someone protected by Don Cristallo."

Those words from Big-Bang lingered in my mind. Yeah! I'm a mob guy now. So, I decided to crack open a beer, and many escape ideas flooded my thoughts. Going to California crossed my mind, but I knew Don Cristallo had connections there. Then, I considered Mexico, Rio de Janeiro, maybe Lisbon. I wasn't sure. However, I needed to do something.

I hadn't even taken a second sip of my beer when the intercom buzzed again. I answered, and it was Allison. "Come up," I said, feeling a surge of happiness.

I was frozen in front of Allison. Instead of discussing our relationship, she got straight to the point, asking me if I was willing to collaborate with the FBI. I would have to discreetly record conversations between Don Cristallo and his family members. Surveillance on a mob boss? Oh my God!

On one side, a woman I loved; on the other, a man who could launch my Hollywood career. I stared at a poster of Citizen Kane hanging on my wall, as if seeking an answer. But I heard nothing, not even "Rosebud."

(To be continued)

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Part One

Part Two
Part Three 

Altenir Silva is a Brazilian playwright and screenwriter working in mass media and communications, including Cinema, Theater, Television and the Web. His texts and scripts - both fiction and reality-based - have been presented , produced and performed in the US, the UK, and Brazil.
For more of his writings in Scene4, check the Archives.

©2024 Altenir Silva
©2024 Publication Scene4 Magazine

 

 

 

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