February 2024
The Iliad as Foundation for Tender Buttons? Karren Alenier
“The Little Girl by the Fence at School” William Stafford
It demonstrates how emotionally and philosophically rich and powerful just eight lines of poetry can be.
David Alpaugh
Gabriele Münter: Post-Break Up With Kandinsky Beyond what is already known, there exists a late, revealing letter, of four handwritten pages, by Münter. Jelena Hahl-Fontaine Edited by Lissa Tyler Renaud
The Goddess as Active Listener Part Five When I remember Sue Castigliano, I think of almost naked dancers vaulting above the horns of Cretan bulls, to the sound of waves breaking in the distance Brian George
Wasana Srisang วาสนา สีสัง Thai artists' contribution to society today is better, because it is no longer so high that it is out of reach Janine Yasovant
Kinky Boots The Musical Sophisticated, exuberant, tender, “Comfort Theatre” from the Before Times flying resplendent in today's context, nerve-wracking, bedeviled Now. reviewed by Lissa Tyler Renaud
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Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine of Arts and Culture. Copyright © 2000-2024 Aviar-Dka Ltd – Aviar Media Llc.
