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September 2024

Apollo Belvedere and IKB

The Photography of Jon Rendell

I first fell in love with the bust of ‘Apollo Belvedere’ at San Francisco’s Conservatory of Flowers in Golden Gate Park and considered it would be nice addition to my balcony garden in Melbourne. I purchased an inexpensive concrete version from a local gardening centre however an erudite friend recommended that it would possess greater oomph if given a coat of International Klein Blue (IKB). IKB is a deep, vibrant blue color created by the French artist Yves Klein in the 1950s. It's a striking and intense shade that can dramatically alter an object’s appearance in ways that are both aesthetic and psychological:

1. Visual Impact: IKB is known for its intense, almost luminous quality. When applied to an object, it can make the object stand out sharply, drawing the viewer's attention. The depth of the blue can give the object a sense of infinity or vastness.

2. Perception of Space : The deep, uniform color can flatten the perception of the object, making its form and contours less distinct. This can create a sense of abstraction, where the color dominates over the shape, emphasizing the idea of the object rather than its physical reality.
Emotional and Psychological Effect: Blue is often associated with calm, serenity, and depth. IKB, with its unique intensity, can evoke a strong emotional response. It might make the object seem more mysterious or imbue it with a sense of importance or solemnity.

3. Material and Texture Emphasis : The matte quality of IKB can emphasize or downplay the texture of an object. Rough textures may become more pronounced, while smooth surfaces might appear even more flawless.

4. Cultural and Artistic Significance : IKB has a strong association with modern art, particularly Yves Klein's work. Applying this color to an object can give it an art-like quality, transforming it from a functional item into something more conceptual or symbolic.
Here is a photo essay of that transformation
.

enoteca-04154
Conservatory of Flowers, San Francisco

enoteca-1187
My concrete Apollo from the garden centre

 

enoteca-09252Garden centre Apollo at sunset

 

enoteca-09249A view from inside out

 

enoteca-4097Painting the bust with IKB

enoteca-09961Finished bust

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enoteca-09967

enoteca-1521

enoteca-09966

 

 

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Jon Rendell was born into an auteur/photog family in Melbourne, Australia, in 1957 and grew up around cameras and film. He honed his craft under renowned photographer Athol Shmith at what is now Swinburne University (Prahran Campus, Melbourne). He was always captivated by shadows and finds himself hard-wired to focusing on the transitory, abstract shapes that come and go with the available light. For more of his photography in Scene4, check the Archives.

©2024 Jon Rendell
©2024 Publication Scene4 Magazine

 

 

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