The Snare of Distance and the Sunglasses of the Seer/ Part Five

Brian George

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Alessandro Sicioldr, The Genius of the Abyss, 2017

If we are a storehouse for the “seeds of every form and the sprouts of every sort of life,” as Pico della Mirandola argues, who knows but that we might not scare ourselves? We are once more in the “interregnum” that Antonio Gramsci described in his Prison Notebooks in the early 1930s, a “crisis that consists precisely in the fact that the old is dying and the new cannot be born,” in which “morbid phenomena of the most varied kind come to pass.” A more colorful mistranslation of this last clause reads, “Now is the time of monsters.”

Mathematician Vernor predicts, "Within thirty years, we will have the technological means to create superhuman intelligence. Shortly after, the human era will be ended. Whether that means extinction or some post-human physical form is secondary to the fact that the old rules of being human will no longer apply." To this glowing scenario, CEO of Open AI Sam Altman adds, "AI will probably lead to the end of the world, but in the meantime, there'll be great companies.”

Once, we were not so easily impressed. We had not yet volunteered to be eaten by the gods, they to whom we had recklessly given birth. We were not afraid of giants, who burned as brightly as atomic bombs, nor of tiny beings with large eyes, who were skilled at creating simulacra. Our craniums were large, and open at the top, but we did not necessarily need large bodies to go with them. One size fit all. The great assembly hall of the heart was almost endlessly interactive. Mercury had attached its power to our ankles. We did not need wings. Few realize that the oceans fill the footprints that we left, that megaliths mark the vast multitude of our navels, or that the sky is filled to overflowing with our tears.

Much stupider than they think, Earth’s top one percent are nonetheless quite adept at playing games. Let us posit: that they rule by reactivating some antediluvian trauma, the fear of which has been bred into our bones, the records about which have been hidden in the coils of junk DNA, which they, and they alone, have somehow learned to read. Such feats of micromanagement! All data is then made to correspond. Not being actual prophets, of course, their reading of these records is hit or miss at best. “As you are figuring out the world,” they say, “we will have manufactured a new one, and then another one after that!” This does not mean that they are actually in charge. Like us, they are subject to whatever spells they cast, and, as the apparatus of the Great Year turns, they are swept along with the other 99 percent.

No part can ever be taken from the whole, nor does the One increase when added to itself. We move as One, unconsciously, and pushed forward from behind. At one scale: ideologies at war, the clash of genomes in the dark; at another scale: a dance of resonant geometry, the living library of space, of which we can become at least partially aware.

As we free ourselves from the common wisdom, paranoia may be the most immediate of temptations. All conspiracy theories may be true, or none of them, or a fact from this one and an archetype from that one, but in the end such labyrinthine explorations may not lead to greater freedom. The trap is this: that we are always the good guys, and someone else is always to blame for every evil in the world. 

As citizens of the greater city of the cosmos, who have now been grounded, our job—should we choose to accept it—may be to cut through the layers of obfuscation that divide each person from the core of his/her power, so that each may once more serve as a kind of movable Omphalos. We have only to discover the most efficient means. We have only to determine the best moment to move forward, when also it might be better to hold back.

In 333 B.C.—a most symbolic date!—Alexander the Great marched his army into Gordium, the capital of Phrygia. There, he encountered an ancient wagon, its yoke tied with several knots all so tightly entangled that there was no way to see how they were joined. Phrygian tradition held that the wagon had once belonged to Gordius, the father of King Midas, and an oracle had declared that any man who could unravel the knots was destined to rule all of Asia. According to the chronicler Arrian, Alexander was instantly overwhelmed with a desire to untie the knot. After wrestling unsuccessfully with the ropes, he suddenly stepped back and exclaimed, “What difference should it make how one manages to undo it?” He then drew his sword and cut the knot in half. That same night, Gordium was rocked by thunder and lightning, which Alexander and his men took as a sign that he had pleased the gods. He did to on to conquer much of Asia, before dying unexpectedly at the age of 32.

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Antoni Tapies, Composition with Cross, 1975

Appearances to the contrary, it is possible that the things that matter most are actually very simple. To see fully may be to know what to subtract, to know what debts come attached to the very fact of our breathing. To act clearly may to act from more than one location, to liberate the subtle genius of the Zero. Each thing having happened a great many times before, we should have long ago grown bored with making new mistakes. How is it we have not? Why do we take so much pleasure in judging ourselves harshly? We may want to pose such questions to all the Buddhas we have killed.

***

Gently but persistently, we must bring our attention back to what I will call the “Boy Scout (or Girl Scout) Code of Conduct,” as this was understood by the Ancients. The 21 “Anamnesian Maxims” that correspond to the seven “Anamnesian Virtues” are below. These are formatted as injunctions. To the extent that they can be interpreted at all, there are some that must be followed to the letter. There are others that might put the practitioner into conflict with the Authorities.  In your cultivation of virtue—or “virtu,” if you go with the classical understanding of the word—you must read not only with your own eyes but also through the eyes of your opponent. You must read between the lines, as well as what is on them. Obey at your own risk. These 21 “Anamnesian Maxims” are as follows:

1) We must love to act well for the sake of acting well; all action is circular, and no Uroboros can remove the tail from its mouth.

2) We must work hard and stick to our projects through any and all obstacles, until, as if by magic, we one day finish what we started. Looking back, we must thank all of those forces that conspired to destroy us. We will have died more than a dozen times since we set forth from our blackened port. We must not be so naïve again.

3) We must learn how to accept the full responsibility for our actions, and be the first to gladly admit it when we are wrong. If we discover, as in a dream, that we have caused harm to the innocent, we must accuse those who have dared to point their fingers at us, for it is they who have tainted our otherwise spotless minds.

4) We must cultivate a smile, and be able to transmit warmth from the solar plexus. It is in this way that our energy will tempt space to self-organize. As much as does the Sun, we will then be able to micromanage each event.

5) We must be willing to meet each person on his or her own terms, however self-deluded or sociopathic they might be. We will know that we have succeeded when their flaws become an almost exact mirror-image of our own. We must then kiss the horror that confronts us in the mirror.

6) We must be generous with our friends, but more generous with our enemies. We must hold them as close as Teddy bears. For they MUST be kept off balance. We must trust that our sense of style will make up for the catastrophic damage that we cause.

7) Putting fears aside, we must do our best to act with some appropriate degree of courage, which may mean standing still. We must practice death, as though our lives depended on it, and be willing, at any moment, to shrug off what we love.

8) We must speak honestly, to the extent that we can hide behind a mask.

9) We must keep to the Mean. We must do nothing in excess, except when we choose to violate this rule. This is part of the natural equilibrium of the Mean. Lacking excess, it would not know what it is, or how to tell its butt from its elbow.

10) We must act justly. We must treat others in the way that we would want them to treat us, especially when they deserve a good slap across the face, which, at the appropriate moment, we must know how to apply.

11) We must kill first and ask questions later, like the gods, so long as we have the best interests of our sacrifice at heart.

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Theodoros Stamos, The Sacrifice of Kronos, 1948

12) We must care for the orphan, and marry our brother’s widow. If needed, we must be willing to make love to our neighbor’s wife. Grave indeed are the responsibilities of the caretakers of the cosmos!

13) The house of the sky has many windows. A window is open, and we must thank it. As was done “In Illo Tempore,” we must be able to zip from one place to another with no need to cross through the intervening distance, for this will reduce our dependence upon gas.

14) As blunt as need be, we must perfect what Hemingway called our “built-in bullshit detectors.” We must, if and when we choose, speak truth to power, or else operate beyond the edges of the stage. We must cultivate a sense of the innate law of the omniverse. It is utterly obscure. It is as soft as a breath.

15) We must boldly go where no man has gone before, at first together, then more and more alone. No other will survive the wreck. Once having washed ashore, you will there find Argos, your aged dog, who has been waiting with bated breath for your return. He is a good dog. He wants only to lick your hand before he dies. A loyal companion, he will even then share the deep intelligence of his nose. He will be waiting with his cold head resting on his paws, on the last dock, as the ocean swells.

16) To the one side Birds and to the other Snakes: Keep eyes wide open, but do not enter any contest where you would have to stare them down. Do not offend them with such words as “high” and “low,” for, already, they tend to regard you as a snack.

17) We must cultivate curiosity, for there would be no world without it.

18) We must stay alert, and have no fear of boredom. A wait of 12 ,000 years is not other than the blinking of an eye. We are not, in fact, obligated to bring new worlds into existence, however much we might like to pretend that this is so. No, for we are on a wheel. On this wheel, each of the spokes functions like the gallery of a museum, and, from where we stand, we are free to wander into and out of any period that we choose.

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Agostino Arrivabene, Il Botanico, 2025

19) We must be able to bring objects across a threshold with us, whether gargoyle breastplates or stringed philosophical instruments, and then fully translate them into this world from our dreams. Do it well, and these objects will blend seamlessly with other props in the environment, although some few may note their faint radioactive glow.

20) We must be good little boys and girls—or else! But no, we are free to be as difficult and subversive as we want, so long as we keep the Bindu always before our eyes and the apparatus of our primal energy intact.

21) We must cultivate the ability to break through any mirror, leaving, as we go, little evidence of our passing. Moving in and out from behind the surface of projection, we must snatch the archaeological relics that we need.

These seven virtues and 21 maxims will allow us to stay grounded as we venture to reconstruct the non-dual architecture of the city, which exists in no one place. As we knew, my wide-eyed shipmates, there is no such thing as time, and the lightning bolt that directs us falls crazily where it will. Let us pause once more to note that this is so. The emptiness that is space shows no sign of disturbance. We cannot leave, for we never did depart.

 

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Brian George is the author of two books of essays and four books of poetry. His book of essays Masks of Origin: Regression in the Service of Omnipotence has just been published by Untimely Books at
https://untimelybooks.com/book/masks-of-origin. He has recently reactivated his blog, also called Masks of Origin at https://masksoforigin.blogspot.com/. He is a graduate of the Massachusetts College of Art, an exhibited artist and former teacher. He often tells people first discovering his work that his goal is not so much to be read as to be reread, and then lived with.
For more of his writings in Scene4, check the Archives.

©2026 Brian George
©2026 Publication Scene4 Magazine

 

 

 

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