An Anti-Fascist Resistance to AI

Michael Bettencourt | Scene4 Magazine

Michael Bettencourt

The obscenity of Elon Musk becoming a trillionaire and the insane bubble financing that is forcing us all to be AI’s bitches led me back to a book that I am sure has been underdiscussed but is essential for processing the coming debacle AI.

I have read Resisting AI: An Anti-fascist Approach to Artificial Intelligence by Dan McQuillan twice – once to mark it up and once again just to read it unencumbered by pens and marginalia – because McQuillan has packed it with so much information distilled into sharp phrasings and lucid explanations. It probably deserves a third read as well.

He begins by explaining how the machine learning that powers AI operates. I do not understand the math or coding that shapes AI (though Broussard in How Computers Misunderstand the World gives a good illustration of how the process works), but it operates essentially as a distillery. Just as a distiller abstracts out alcohol from a complex batch of ingredients – discarding and discarding and discarding until he gets the one product that he wants – the operations of AI extract from a mess of messy data predictions based on probabilities and correlations and patterns. (McQuillan: “Any AI-like system will act as a condenser for existing forms of structural and cultural violence.”)

Because it involves math and appears to be scientific (though AI and its algorithms are not scientific at all, as McQuillan points in his section on “Scientism” [47-51]), people assume that the results are free from bias and speak the truth about whatever task the program has been asked to solve – that the program has been effective. The results are therefore supposedly more trustworthy than judgments and considerations offered by actual human beings.

But as McQuillan points out time and time again, this conclusion is completely false. First, the program can only use the data fed into it to do its work, and if those data are biased, then the results will be biased. He cites well-known stories about how facial recognition often fails to identify black or brown faces because of the overabundance of white faces in the training data or how COMPAS, the sentence-prediction program that supposedly helps judges assess the risks of people re-offending, consistently gives black and brown people higher risk scores than white people for the same criminal circumstances.

Second, algorithms cannot be divorced from the social, political and economic conditions in which they are forged. The algorithms are created to serve institutional purposes, and those purposes are grounded in long histories of exploitation, colonialism and violence of all kinds – because of this, their training data can never be free from the past, and the algorithms are doomed to recapitulate it. (In other words, AI can never imagine a future outside of the futures predicated on the pasts included in its training data.)

McQuillan cites many instances of what he calls “algorithmic violence” where AI programs increase, as a matter of policy, the “othering” of certain parts of society, which literally decides who will live and who will die (what he and others call “necropolitics”). This can be done through increasing precarity (think of Uber drivers and others in the gig economy), racialization (turning slight differences among humans into essentialized groupings), incarceration (and the “carceral state,” with fantasies of predictive policing), eugenics and race “science” – the list of operations is long and dismal.

Third, what gives the algorithmic violence the sanction to do what it does is what McQuillan calls the creation of “states of exception”: a social and political state of being where the law establishes spaces and practices not bound by the law in order to achieve certain ends, usually dealing with a nation’s “security,” such as treating immigrants as invasive hordes or creating black sites where prohibitions against torture have no force. (The paradox, as McQuillan points out, of the law using itself to nullify its duty to provide a bulwark against lawlessness.)

All these aspects of AI make it a technology easily adapted to a fascist politics, a politics that seems to be thriving in certain parts of the world (including the United States). McQuillan cites a phrase by Roger Griffin, “palingenetic ultranationalism,” that sums up the fascist ideology:

The palingenetic bit simply means national rebirth; that the nation needs to be reborn from some kind of current decadence and reclaim its glorious past, a process which will inevitably be violent. The term ultranationalism indicates that we’re not talking about a nation defined by citizenship but by organic membership of an ethnic community. Hence, with AI, we should be watchful for functionality that contributes to violent separations of ‘us and them’, especially those that seem to essentialize differences. [using British punctuation]

Similar undercurrents can be found in “Make America Great Again.”

What is to be done? His last three chapters contain strategies about containing AI, and much of what he talks about – the commons and “commoning,” mutual aid, horizontal decision-making, peoples’ and workers’ councils – reminded me of David Graeber’s discussion of what Occupy tried to tutor the American people about. He also includes fascinating discussions of feminist standpoint theory and feminist new materialism, post-normal science – I have never heard of these concepts; reading about them refreshed and unhinged (in a good way) my critical stance.

His view of a world of mutual aid and attention paid to care and a new “apparatus” (a term he gives to AI at the beginning of the book) that doesn’t strive to “solve” anything “but to sustain the delivery of systems of care and social reproduction under changing conditions in ways that contribute to collective emancipation” (148) gives me a feeling of both hope and longing, much like the effect of that other book I’m reading at the
moment, The Communist Manifesto (brilliantly explicated by China Miéville in his A Spectre, Haunting), a yearning for the kingdom of heaven on earth.

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Michael Bettencourt is an essayist and a playwright,
He is a Senior Writer and columnist for Scene4.
Continued thanks to his “prime mate"
and wife, María-Beatriz.
For more of his columns, articles, and media,
check the Archives.

©2026 Michael Bettencourt
©2026 Publication Scene4 Magazine

 

 

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