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The New Yorker Turned 100 (Part 3, the Last)
A fic-review of the magazine’s centennial celebration

Altenir Silva

Previously…Ernest Hemingway stood up, put his hand on JC’s shoulder, and said, “I never got a no in my entire life.” JC, feeling like an outfielder who had dropped an easy ball, could only think, “I get it—this is a nightmare. Or I’m dead. Or I’ve fallen into the multiverse.

At that moment, Charles Addams opened the door, fixed his eyes on Ernest Hemingway’s hand on my shoulder, and blurted out: “What an incredible hand, Mr. Hemingway! Every time I see your hand, many ideas come to my mind. Maybe one day I can create something with it.” Then Dorothy Parker approached Mr. Addams and said, “Mr. Ross wants everyone in his room.” Lillian Ross, visibly upset, replied, “Dottie, I can’t… I’m busy with these gentlemen.” Dorothy answered, “He said it’s about his pen.”

JC interrupted, “Pen?” Dorothy continued, “Yes. He found his pen, but he needs everyone in his room.” She added that Hemingway and John Huston were exempt from the meeting and ordered the French detective and Charles Addams to follow her.

In Harold Ross’s office, Mr. Ross sat at his desk and looked around at everyone in the room: Dorothy Parker, Roald Dahl, Lillian Ross, Roger Angell, Charles Addams, James Thurber, E. B. White, several writers, employees, and JC. Mr. Ross picked up his pocket watch and said, “Let’s wait for him.” Seconds later, a handsome man with golden-brown hair entered the room, wearing a white flannel suit, a silver shirt, and a gold-colored tie. Mr. Ross, sounding almost like an MC, exclaimed, “Please welcome F. Scott Fitzgerald.”

 The renowned author of Gatsby took from his pocket the famous pen that had disappeared and handed it to Mr. Ross. “Yesterday, I had lunch with Mr. Ross at the Algonquin Hotel, and through carelessness, while writing some poems and notes for articles, we ended up swapping our pens. I only realized what had happened when I got home and Zelda noticed I was carrying a different one.”

The two pens were identical, and both were gifts from famous figures: Chaplin had given one to Mr. Ross, and Babe Ruth had given the other to Mr. Scott. At that point, JC looked around the room and said, “What the fuck have I got to do with this shit?”

Suddenly, a loudspeaker voice from Paris Airport announced, “Boarding for American Airlines flight AA45 to New York is now beginning at gate A39. We invite passengers needing special assistance and families traveling with young children to board now. Please have your boarding pass and identification ready. Thank you.”

JC looked up, trying to figure out where the voice was coming from, but when his eyes returned to the people from The New Yorker, he realized he was sitting in the departure lounge at Charles de Gaulle Airport in Paris, and that his flight to New York was receiving its final call. JC, who was reading a commemorative edition celebrating 100 years of The New Yorker, got up, tucked the special issue under his arm, and joined the line that had already formed in front of the boarding gate.

As soon as boarding began, he noticed that Brenda (the Tribeca girl he had met at the beginning of the story) was farther ahead in line, also boarding for New York. He approached her and, somewhat awkwardly, managed only to say, “Hello.” Brenda looked at him seriously and asked, “Do I know you?”

 

END

 

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Altenir Jose Silva is a Brazilian playwright and screenwriter working in mass media and communications, including Cinema, Theater, Television and the Web. His texts and scripts - both fiction and reality-based - have been presented , produced and performed in the US, the UK, and Brazil. He is a Senior Writer for Scene4.
For more of his writings check the Archives.

©2026 Altenir Silva
©2026 Publication Scene4 Magazine

 

 

 

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May 2026