sc4-962-3d1

Sydney Opera House

The Sydney Opera House is a sculptural landmark that rises from the harbour like a cluster of wind-filled sails—at once bold, elegant, and unmistakably modern. Its gleaming white shells catch and reflect the shifting light, making the building feel alive against the water and sky. These are my shots from Easter Monday.

The Photography of Jon Rendell

scene4-00965

Even under a flat, overcast sky, the Sydney Opera House still gleams—its white shells catching whatever light there is and giving it back with powerful insistence.
 

scene4-0094

Kids are more taken with the seagulls.

scene4-0116

Bennelong Restaurant, named after Woollarawarre Bennelong, a senior aboriginal man of the Port Jackson area, at the time of the first British settlement in Australia. Bennelong served as an interlocutor between the Eora and the British, both in the colony of New South Wales and in Great Britain. He was the first Aboriginal Australian to visit Europe and return.

scene4-0121

Sydney Harbour Bridge

scene4-0114

The shells of the Sydney Opera House are clad in over a million small ceramic tiles, arranged in a subtle chevron pattern that gives the surfaces both texture and depth. From a distance they read as pure white, but up close they reveal a carefully balanced mix of glossy and matte finishes designed to catch the light without glaring.
 

scene4-00967

Around Circular Quay, artists gather along the harbour’s edge, sketching, painting, and performing against a backdrop of ferries, water, and sky.

scene4-00966

Boys fishing on their Easter vacation, stocked with a loaf of Wonder bread and coconut water.

inFocus

May 2026

 

Share This Page

View readers’ comments in Letters to the Editor

Jon-Rendell-bio-pic-cr

Jon Rendell was born into an auteur/photog family in Melbourne, Australia, in 1957 and grew up around cameras and film. He honed his craft under renowned photographer Athol Shmith at what is now Swinburne University (Prahran Campus, Melbourne). He was always captivated by shadows and finds himself hard -wired to focusing on the transitory, abstract shapes that come and go with the available light. For more of his photography in Scene4, check the Archives.

©2026 Jon Rendell
©2026 Publication Scene4 Magazine

 

 

YOUR SUPPORT

If you are enjoying this issue please consider lending a hand. Scene4 is a global magazine featuring reviews, commentary, criticism, essays, fiction, photography, paintings, graphics and
poetry. Founded as a monthly in 2000, with over 300 issues during the past 26 years of publication and an accessible, comprehensive archive of over
18,000 pages (a unique array of articles as comtemporary as when they were first published).
In these disruptive times, we need your help and support to weather the storm. Please make a contribution of any size by going to our support page here and gather the appreciation of our authors, artists and editors.



 

  Sections This Issue · inFocus · inView · inSight · Perspectives · Special Issues
  Columns  Adler · Alenier · Alpaugh · Bettencourt · Gallas · Jones · Luce · Marcott · Walsh 
  Information Masthead · Your Support · Submissions · Archives · Books
  Connections          Contact Us · Comments · Subscribe · Letters

 | Search Archives | Share Page |

Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine
of Arts and Culture. Copyright © 2000-2026 Aviar-Dka Ltd – Aviar Media Llc.

May 2026